Category: writing fiction

Beautiful Imagery and our best work

images

Hello all! Welcome back to this blog.

Imagination and Imagery are intimately connected. It’s the power of combining images, transforming them into our particular reality, and even going beyond that.

Writing is constructing images in our heads and in our readers minds.

While building a story we recur to different strategies to visualise how characters, locations, and objects, will appear to our readers.

I do believe that, all that we can see in our minds will translate into a page in the most effective way we can imagine, if we just put the work behind it.

I also believe that usually this happens in ways we can’t perceive objectively. It’s kind of a shadow work that occurs inside our minds, fuelled by all the collected inspirations.

The act of describing what we are envisioning, letting what we absorb come through, will make reading a lively experience.

This means building ideas about how the elements will be, and master its materialisation on the page. Whatever the story, in whichever genre we fancy.

How we find imaginative inspiration?

Some of us, writers and imagery builders of sorts, have a fondness for reading and imagine things in our own way.

Sometimes, this ability gets us to have a book turned into a movie just because the imagery used was totally wrong from what we had envisioned.

Others, find it useful to look at correlated art works and give our imagination a hand at picturing worlds, creatures and even human faces.

There are a few theories about this brain ability of ours, categorising people into types of learners, just by figuring out our abilities to retain information and, therefore, use it in creative ways, accordingly to our main senses of vision, hearing and touching.

I found that, for me a mix and match of all of these, work in different projects and situations. So I learned to use visual aids, and well as hearing and touching.

In some projects I use music. In others, drawings and pictures. With more, or less, emphasis on each aid, according to what I feel is most needed for me to capture the full experience I need.

Because to learn about these characters, and this world, and these objects and locations, I need to attune myself to their particularities. And this is only possible if I keep my sources of inspiration in an expanded mode. Always looking, always alert, always integrating fun little snippets of information that might seem to be just there for the taking. Just so I have some places from which to draw inspiration from.

Where do I find some inspirational imagery?

Just looking at other people’s rendition of something, a picture, a drawing, a digital art work, a description, a capture of some sort of inspirational material, allows me to let me own imagination guide me into my own world building, with all it entails. Browsing through Pinterest, DeviantArt, a Google search on Images tab, can get me some much needed help on figuring out some writerly things.

How do I use it in my writing process?

I use it for inspiration, to build up my mental muscles on the much needed imagery.

Exposing myself to beautifully composed images, to gruesome battle outcomes, to twirls of abstract imagination, will get me content enough to start thinking about my own creative processes in my stories.

Also, I use it for writing exercises.

To have a prompt, and to build upon that little morsel of imagery is a pleasure, and alleviates me from having to start with the dreaded blank page feeling.

Just like painting uses references, the  writing practice also can, and should, do it. Imagery serves us as guides in this unthreaded wordy land.

Is it beneficial to my writings?

Yes. It is indeed. My imagination needs all the aid she can get. My writing efforts benefit from everything I throw at them. All the little unsuspected efforts we can make to help us write more and better are welcome.

If we find a notebook full of clippings is the way to go, we should try it out; or a mood board hanging on the wall; a Pinterest album full of scary pictures; a reference book on imagery; a subscription to a travel magazine; or any other way of collect those images we will be recurring to intentionally, in order to make our writing process smoother and more inspired.

Standing in the shoulders of giants has its downside?

Do not copy. Do not steal. Do not use without permission. Do not go into that unimaginative, hurtful, dishonourable lane.

Reconnect the dots of all you have learned and add to the work already done. Be inventive, resourceful, creative in your own right. You can do the most beautiful, your own, work. And it will feel good to do so.

Be careful of the difference between gathering inspiration, to work out added value, and the already mentioned problem above.

Gather from all types of different sources and think: I am the sieve through which all comes in, and only a small combined part of it mesh and comes out.

Allow myself to be the changing factor, the added value, the combinatory and creative force behind whatever I create.

Will it be easy?

Is anything worthwhile easy? I don’t think so.

Was any of those drawings easy to make? Any of those books we read? Any of those creative breakthroughs?

Easy and Worthwhile are opposites, aren’t they? 

Having these processes available to tap into, allowing new inspiring imagery and information to come through, working out the effective ways they can serve my writing efforts, trying to be receptive to all inspiring tendrils is part of the fun.

All we can do is allow our minds to translate into our work the images we had envisioned. All we must do is ensure that the reading experience will be the best we can make it. And that all these inspirational processes work out for the best in each page we write.

So that our reader truly gets what we were aiming for: the best story possible. 

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

References:

Considerations about Building Worlds

building worlds

Hello all! Welcome back to this blog.

World Building is hard, fun, messy and an inspiring cluster of moments to be had, while writing a story.

To create a full, well developed, verisimilar picture of a new society, in whichever form and size, means we have to be ready to explore.

And we explore by imagining some complex interactions, rules and possibilities of functions and purposes. We explore by asking ourselves ‘What if?‘

World Building is also very fun, and we can have a great time imagining and developing some physical, personal and social landscapes in order to make a certain story work.

Building a new world usually means that we want it to be special and unique.

But sometimes, we have all of these ideas, already seen in other books, series and movies, that makes us doubt if we are indeed writing something new or even good enough. Making us doubt of what we intended to create, and getting us not to put enough time in working out the particulars of that special world.

How to come up with remarkable ideas for our World Building?

Learning about other people’s creative processes might give us a glimpse on how their new ideas came to be. It might help us discovering our own process to invent our own strategies to uncover our imaginative process.

I suggest that you watch the documentary ‘Abstract, the Art of Design’ for a great glimpse of other people’s creative processes.

But, more frequently than not, we see their processes as a confluence of different factors, including their own unique reality and life experiences. And, let’s face it, we can’t replicate that. All we can do is live our own life experiences and use them the best we can.

So, looking to other people’s creative processes teach us an invaluable lesson: Use your beliefs, inner thoughts and fears to create our Story Worlds.

There’s a constant need to look around and analyse how we see the world, how we react in certain situations, what we believe in and how those beliefs have changed over time.

There is great potential here. Not just for the things we would like to advocate in behalf of, while writing our stories, but also looking frankly at our hidden agendas, those thoughts we find uneasy and some of them even shameful.

And then, there is fear.

Fear can be our ultimate telltale sign that we need to work on that through a story. Not as a way to deal with it, even if it could be that, but as a spark of inspiration from which to build upon.

When we are writing Fantasy, being in a dystopian novel for example, we may construct a more believable story if we tap into our own experiences and thoughts.

I guess we all have came into contact some pretty messed up world views, peer pressure, or non-sensical beliefs. We might as well put them under a new light and scrutinise if any of those would fit our story just right.

Building a brand new world is, and cannot be in other way, connected to how we experience the reality we live in.

We may set the action in a far away galaxy, in a totally different body, or even in a totally different existential and corporeal plane, but we all start from the same reality in which we live in.

My father used to say that “all the things that exist are from this world. We cannot invent anything that we hadn’t already seen or experienced in this world.”

I agree with that. We can only reimagine what we have seen or experienced in some way. And all of it came from this world we live in.

We cannot think outside-the-box, if we have no ideia of what exists beyond it’s confinements. For example in sci-fi stories, assuming there could be something existing outside what we know, and having clear notions that there are rules to the functioning of this world in which we live in, we can only extrapolate into how things could be in other worlds.

Initially, we draw inspiration from the knowable in order to build a new world, somehow inventive, by reapplying the old and conveying things in a new format. And then we go deeper into the rabbit whole, if we can. We conjugate different ideas, crisscrossing from distant experiences and knowledges.

It’s not just having some knowledge but learning to recognise it’s potential and integrate it.

We use what we’ve got, specially if it’s a cross between a chihuahua and a fountain pen, or an ugly feeling and an online game, or chicken legs and a house foundations. Any one of these fortuitous connections may give us that idea that will make our story special.

World Building doesn’t mean just physical location. It envolves people, traditions, cultures, belief systems, interactions, associations, objects, daily tasks… all of the things that we experience in our own existences adapted into this new world that we are creating.

Because a martian would never walk like an earthling, would he? Or an addict would never rationalise some random thought in the same way that someone without that particular addiction would.

There are different knowledges to be pursued and other connections to be made between the simplest thing in that particular world. And our job as storytellers is to make those connections if we can.

So on we go into other worlds in order to discover our own.

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

References:

Writing a shitty first draft

first draft

Hello all! Welcome back to this blog!

Today, I want to talk about shitty first drafts and what it means to cope with first-draft situations.

Yes, because I’m 15 000 words into one of these myself and I’m fretting about it. And, yes. Because I need to find a way to cope with uncertainty so I figured that, maybe so do you.

Or a zero draft, as I heard Kate Cavanaugh from You Tube channel Kate Cavanaugh Writes call it. [Check it out, it’s a good channel to get me inspired for writing and think about writing themes.]

I keep repeating to myself, almost chanting if I’m being honest, that it’s okay to write a shitty first draft.

That I need to put something on the page.

That it doesn’t matter what I write on that first draft because it will be worked on, improved and thoroughly revised.

That without something on the page I have no chance to improve nothing… because there is nothing to improve upon.

[See? I’m almost making a song lyrics out of this. Just need the right tune]

I keep reminding myself of that chapter of ‘Bird by Bird’ by Anne Lamott…

anne lamott shitty first drafts

At least, I know I keep repeating all of that to myself every time I’m in that phase of the process where I need to produce a first draft. And it’s truly alright to write a shitty first draft.

It’s not my first roundabout on first-draft-land. But it’s always tricky to drive in such a bumpy, too large, full of holes road… and it’s a roundabout, so I am to expect some curves and bad angles and some drivers out of their lanes.

I have done this first draft thing in the long format form for six times now.

I’m counting all of my finished novels, including a published one. But I’m not counting any other form of my writings, which all of them took a first-draft phase, including this article I’m currently writing, and that you are currently reading.

Maybe I should consider these also… and, suddenly, my life is made of first-drafts.

This is my seventh first draft and here I am, in overwhelm-land.

It still gets me every time. Six books in and I don’t feel prepared for this part of the process.

It’s like I keep looking for things that aren’t quite worked out yet to keep myself in the overwhelm state. I look at this first draft and wish I could make it perfect… as it is, and knowing very well that there is no such thing as perfect, I’m sustaining the eyes wide open, rapid breathing pattern and in a constant arrhythmia state, ready to flee or pass out (still haven’t decided which one yet).

But I’m not here to complain. Truly, I am not. I’m here to share that this is hard but that I can, and I will persist. And so will you.

After all, I have done it six times already for my novels and a few hundred times for all of my other writing works, like short-stories, poems, blog posts and any sort of creative texts.

I also know that, this too will pass.

I know I’ll end up moving forward, plowing ahead, or tiptoeing around obstacles. Or finding some mental assurances and some strategies to make myself cope with the first-draft situation.

Sometimes coping means:

  • writing my book plans in really big paper sheets. 
  • constructing cards for my characters.
  • writing every scene in a A5 card and have a visual of the story entirety.
  • even writing one version of it by hand in some lame notebook. 
  • enrol in any challenge that makes me forget the thing in itself and make me show up to the work (I am so doing #the100daychallenge that starts in Feb.22).

I’m even considering using the foolscap method, a Steven Pressfield’s suggestion (watch a quick introduction in his Instagram Reels).

Or any other strategy that I feel can help me cope, in this moment, with the uncertainty of it all.

Something like, remind myself why I’m writing this story. Why I’m involved in it. Why my creative path lead me here. And how I felt with a finished book in my hands (not literally).

And maybe get back to the drawing board. To plan my scenes in some way that helps me do this first-draft.

So, I have options. The only option I don’t have is to quit. And neither do you.

I’ll leave you with another inspirational quote:

writing a novel

Just keep driving!

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

References: 

Writing Journal Entry: Words for January

word for January

Hello all! Welcome back to this blog!

Today I want to experiment with a new kind of blog post. Something in the lines of the traditional blog entries from the beginnings. Kind of like a journal entry… Tell me what you think in the comments below, if this is interesting enough for a blog post.

This is the Writing Journal Entry for January 2023

… and hopefully I’ll be writing more of these as I go along. January has been a tough month. You might say “as they all are”, to which I don’t agree.

There are events, or clusters of events, that do change everything at once and that throw us off course. And even though these events have a huge impact in my life and, consequently, in my writings, they don’t relate to it per se, so I won’t be sharing those here (those will go into the proper paper journal).

But I do want to do a profound review of what this January has been and what it means to me to work on these projects.

I have started this year putting into paper my goals for my writings. Creating and sharing the free workbook Plan Your Creative Year Workbook for 2023, was part of my personal efforts to create some balance in my life, and keep myself aware of my ongoing writing projects, as well as reading and mind-growing projects. This was important for me, it has helped me cope with the always latent overwhelming feeling of having so much to do, and not controlling the creative output as I envision doing, among other more distasteful things. To be an author and to show up for it, whatever the situation, has costs and it takes a big toll on our health. All of our health.

Again, this is the link for the free download… [No dropbox account is needed to download it] It’s never too late to draw some plans.

During January I have been pondering about what I want this blog to be really about. Not that I haven’t thought about it before, or made my kind of impromptu planning of it, because I have and I did.

This blog’s service will remain aligned with my will to share more about themes related to Writing, in a broad sense of this area of expertise.

I just keep depositing high hopes in this little corner of the web, and working on it as a kind of repository of ideas about the writing practice, and what it entails in this world of speedy images and an important need for the right words.

In January, this Writer’s blog saw a few of my favorite themes:

It might seem weird but I’m pretty proud of these blog posts. I do love to write in this format/genre and about the craft. 

To me, writing exists in a full spectre, and each writing project has its form, function and gift associated with it. Blog writing is just one piece of the large array os pieces that make this puzzle.

As for Long Fiction Writing efforts:

January was a month for the ‘The Shapeshifters’. I have defined some goals and I’m keeping my word on it. As times passes, and I keep attentively looking at The Shapeshifters #1, I notice other things I need to take care of.

It’s not just about writing the manuscript and crafting the story as I want it to be: as a good starting point of a series… It’s also about the vision for the whole series, the proper way to do other non-related writing work, the acceptance of what I can’t change and the going with my gut while discovering these stories inside me.

I have set a few goals for book #1 and #2 and I’m keeping my word on those. But also, I’m finding that I need to do other exploratory works on these and, even change some things on the first book.

This is my first series materialising itself. I have written other projects that were thought as series but this one is my first full out attempt right at doing so. And this is fun and scary at the same time.

And not just because is my first serious attempt at writing a series but also being out of my comfort zone in so many ways. I have chosen some things for this story that will need a careful editing process and I keep finding things to stress about.

Short-Fiction and Poetry

I always have parallel projects on these formats. There are goals set for some works in progress, but it has been six months since I have devoted the time to constant practice.

I do not like it. Nop.

In my defense, I have been channeling a lot of energy into ‘The Shapeshifters’, but this should be no excuse for my lack of attention to my other writing practices. After all, poetry has been with me since my teens, and I do have a few published poems and a (very ignored by now) poetry blog.

As for short-fiction…

Again, I’m always working on something. This is the elected format for the current writing contests around me, so it’s something to think about if I want to publish any of my stories through the usual channels.

I have put some of this on hold until I figure some things out.

How can people do it all? Frankly, I do not know. Planning only takes us so far… But this is my journal-type of vent, to put the questions out and give them the chance to be answered in a timely manner. 

This was the Writing Journal Entry for January 2023… about writings and feelings and stuff.

How was your January?

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

Writing Dark Romance in Fantasy Worlds

dark romance

Hello all! Welcome back to this blog!

Today I want to talk about some of my favorite writing genres.

Writing has its tricks. Writing in some particular genre, or cross-genres as is more frequent, also obeys to some rules. It has a certain way it should be done, it has tropes, it starts, progresses and end, in a certain way.

Even if we think we are writing something different from what is considered mainstream for the genre, truth is that it can go in one of two ways:

  • Or we are writing something that doesn’t have readers interested in it;
  • Or it fits some genre that already exist we just weren’t as well read as we thought we were, and weren’t able to categorize it properly.

Either way, we seem to be at a lost to whom our books may be of interest.

For example, I love to write romance. I love to write romance in different genres.

About this theme, I truly think that life without love isn’t easy… or worth it. I also don’t think that loving is easy. It is hard work and a discovery process that is painful enough.

But I do believe that, it is the search for love that helps us cope with the ugly demons of this world… us.

So I love to write romance in Contemporary, Fantasy, Urban, Supernatural genres. It is not fluffy, next door vibe kind of romance. It’s painful, gritty, pain induced, self-discovery journey, which Love helps set right.

I believe that a story is as compelling as characters try to chase their inner demons out of their lives or, at least, invite them to tea and lay out the ground rules for coping in the same body and mind.

Throughout the years, I have been writing some tragic short stories, some of them quite supernatural themed. I always seem to gravitate that way when I write short-stories and I frankly don’t know why.

But it’s on the longer fiction that I find solace in delivering some satisfying endings. I put them through hell but in the end they find meaning in their sufferings… The eternal hope for those that, no matter how much they suffer in life, just have to keep hoping to find some meaning in all of it.

While growing up, and learning about stories in books, films and series, I always thought a story benefited greatly from a good, sometimes not achieved but always latent, love interest.

Some of those stories weren’t romances at all. In some of those we were not supposed to follow that thread except as a backstory that accompanied throughout the pursuit of some main quest. Several crime series come to mind.

But, truth be told, it was in those snippets of almost conquering something that shouldn’t be (and weren’t) the main concern of the story that picked my interest. I do remember this clearly in lot’s of series and films, through my teenager ears. That and a great interest in sci-fi, supernatural and drama.

I keep trying to find my way through these genres and personal tendencies while I write my stories. I keep seeing the plots and sub-plots as worlds that are worth exploring. Worlds of pain and grief, and expectations unmet, betrayal and pure unadulterated love… or not so much. Finding demons to subdue through the oh so human need to love and feel loved.

Does this give me an all fluffy, next door vibe kind of romance? Not quite. But it gives me some dark personal universes to work with.

And I enjoy every moment of it. If I could just make it darker, as it should be… 

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

I tried writing in NaNoWriMo for 12 years

12 years experience

Hello all! Welcome back to my blog.

Have you seen any of the videos “I tried writing like (famous author) for (whatever) days or months”?

It’s kind of a trend on YouTube and I always find them inspiring, educational and fun!

This is kind of a “I tried writing in NaNoWriMo for 12 years”

Today’s article is kind of an overview about the 12 years I have been registered in NaNoWriMo website and all the times I decided to write a book in November.

First, let’s go over some stats:

✍️ I have been registered on https://nanowrimo.org/ since Oct.29, 2010.

✍️ I have entered the November’s challenge for 7 times.

✍️ I have completed the 50K, and then some, for 5 times.

✍️ The website says that I have wrote 343,660 words for NaNo projects.

Is this an impressive count? Nop. I don’t think so. But it’s good to know all of these things.

Let’s go on this memory lane, shall we?

I recall finding this challenge online and starting to mull over it. Back in the day, I had so much fear of being tricked that anything new gave me tons of food for thought.

Contrary to my later developed tendencies, which are to see something fun online, subscribe it immediately, and then ask the questions.

For NaNoWriMo contemplations, I really took my time deciding if I wanted to make an account on https://nanowrimo.org/ and enter the challenge. Back in those days we had to put all our written text on a word counting window, only available on the website. So it was a bit strange to reveal the text like that.

I decided to enter the 2010 challenge, only after I had all my stuff worked out in my head, and was willing to try the 50K in one month.

I registered at the Oct.29 and started writing at the Nov.01.

📣 I would like to mention that I already had one book in the midst of being self-published, which happened in Nov. 2011. And it wasn’t any of my NaNo writing projects.

I remember talking to a few people about this challenge and being quite freaked out about it. But I pulled through and wrote ‘Amria’ a fantasy novel about angels and demons and really bad (and good) people in between.

Amria, with a word count of 63,472, was my debut novel in NaNoWriMo and I quite liked it… so I stuck it in the drawer.

In 2011, I didn’t managed to enter NaNo. Fast-forward to some conclusions, I find that it takes me a good two year period to develop an idea into a book and make it come alive.

But, in 2012, I was back with ‘O Pária’ (‘The Pariah’). I had a full sketch book reeling with characters, and plot twists, and big ideas for a greater universe of… shapeshifters (does this ring a bell?!?)

Then it came 2013. It was a truly shitty year! My life changed so much during that year, and the ones that followed, and I felt so badly that I really tried to write my NaNo novel but just couldn’t do it. 2013 saw the beginning of ‘Road to Nowhere’ but it fell through the cracks of poor planning and not enough mental space to create this story.

Next NaNo novel came in 2018. ‘At risk’ was also a failed experience. Why I thought I could change day jobs, have a toddler in my hands, and be overwhelmed about it all, and still write a book, I do not know.

‘At Risk’ was my first try at writing a sequel for my self-published book… which didn’t happen.

Moving on to 2020, I was back with the proper drafting in place, plans and projects and all the twists and turns of a new fantasy novel. ‘Fire and Ice’ word count was 54,933 in a universe full of vampires and monsters ready to strike back. I loved writing this book, and I still feel it has so much I can expand upon… so it went straight to the drawer.

2021 saw ‘Os Metamorfos’ aka ‘The Shapeshifters’ come to life. In November of 2021 I wrote my second draft during NaNoWriMo. It was a book imagined, planned, and executed in Portuguese. Word count? 50,412.

2022 saw the biggest change of all. During my first Camp NaNo, in July 2022, I started rewriting ‘The Shapeshifters’ but in English. I went with it and after a not so successful Camp NaNo, due to some health issues, I got all in this project, planned and plotted, and managed to write 77,420 words for this book in this year’s NaNoWriMo.

What did this 12 years writing experience taught me?

🪄I have so much to learn it pains me to think about it. This seems the appropriate lesson to put here first. I need to get my bearings on my schedule, and to define better goals, and to devote myself more to this writerly life.

🪄Fear of showing up trumps all efforts. I have the best intentions in regard to my writing but if I am afraid to show up for my writing practice, there are no efforts that can subsist and produce good outcomes.

🪄Go all in. I have been doing this thing, this dance with my writing, for more than two decades (I am almost too good at waiting!). Deciding to write a book and leaving it unfinished isn’t going all in. Deciding to write as a life choice, path, career, and then refuse to do the work isn’t going all in. Go all in.

🪄Work in small increments every day. Have specific goals, and a major goal, and work myself towards every day completion. This challenge is very good to help us set a writing pace.

🪄I need a lot of prep time. I take, at least, two years until I am ready to write a story. There are a few steps, a few long steps I need to work on before I can write a book (or any story). There’s no jumping ahead or ignoring some parts of this process. Not if I want it to be valid for my learning purposes.

🪄I can work in more than a project at a time. I have been doing it for a long time now. And if I don’t count the time (a few years) when I got my life turned upside down, I am able to see that these ideas kind of lived in a parallel form inside my head. It’s just the physical effort of putting them in paper that has to be separated from each other. I can work in more than a project at a time, I just have to be more organised.

🪄These 12 years helped me see that I am here for the long haul. There was no way I would get back to writing, after some of the sh** I have been through, if stoping entirely was remotely possible.

🪄It has help me define my writing goals, setting boundaries for my writing time, focus on my writing projects, and create a space through which I share my writing journey online (I share a lot in Instagram and Facebook).

I tried writing novels with NaNoWriMo for 12 years and it taught me to feel less alone in pursuing my writing goals.

What doesn’t work for me?

💭A sustainable rhythm is imperative if we intent to keep writing. This daily quote requires that I spend some hours devoted to writing… and then life gets in the way, and I am unable to do all the other stuff that helps me stay creative. And this isn’t positive for me.

💭I am a slow writer… reader… whatever. I am. If I speed things too much I end up making stupid mistakes and feeling depressed about it. Having to maintain a great window of time to devote to actual writing doesn’t work for me in other phases of the writing projects. So this isn’t a good thing to adopt out of NaNoWriMo month.

I can’t work out anything more as a downside… Maybe just being nagged by people when I’m unable to attend to their stuff in November. Hey! Sorry (not sorry). It’s called priorities.

I don’t intend to stop entering NaNoWriMo, as long as life permits me to, and I do recommend it. 

Have you entered this year’s NaNoWriMo? Can you share your experience with us?

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

 

 

 

December, here I go!… with new writing goals

writing goals

Hello all! Welcome back to my blog. 

Bordering on December, and I’m taking these last days of November for a kind of a pause from fiction writing. I needed a brake.

It’s been a pretty intensive November, with NaNoWriMo (finished at 77 420 words), and doubling my daily word count for the current writing project, on top of everything else I (we) always have going on…

Obviously that, as soon as I took a brake, a big migraine made herself noticed. Four days later, I’m still reeling from some minor symptoms but I’m counting myself as being almost fully okay.

So, this week I have been rereading my NaNo project, slowly, and enjoying it as much as I can. And that’s the goal for the brake days. Nothing more and nothing less.

December will bring a lot more demands on my time so I’ve been thinking about what I want to focus on this month.

Back to the drawing board

I need to get back to the drawing board, again… like I’ve shared here before, on the post Another writing update on ‘The Shapeshifters’ and NaNoWriMo. And even if I feel that I’m stalling a bit (because I do feel that), I had been back to the plans and started working a few things out.

But getting back to the drawing board gave me a sense that I need to advance on the second, and maybe third, volumes of this story, at least in the main views of the whole project, before I am able to finish the first volume properly.

So, this is my number one goal for December: Get back to the drawing board and do more sketches of what I want to compose a bit further down the line (of life).

In September I wrote:

Usually I get a bit overwhelmed with changing rhythms. [And this is the understatement of the year!] But after a few days, I tend to focus on what I can do instead of what I should be doing, and get on with my creative life. And this summer wasn’t any different. – Back to September. Setting goals. Back to Writing.

This is truly a thing for me.

That’s why I usually prefer to do the minimum of transitions from one project phase to another, because I get overwhelmed with the thoughts of all that I wish I could put in, and do better, and work more on…

Sometimes, I forget to rest in between, just to try and avoid this syndrome.

So, my second goal for December is: Stick to the plan. Grab my planning tools and define unmovable deadlines and stick to them.

I already had plans… and plans for plans. It’s just a situation that I have to put them right in front of my eyes, just so I see them everyday.

And how, I wonder, will I manage this?

I’m getting a few ideas…

And these are my writing goals for December.

Hope you’re doing well and participating in this year’s NaNoWriMo. If so, how’s your project going?

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼