Category: writing fiction

Writing Scenes in Preparation for NaNo

writing scenes

This is the month before NaNoWriMo. As some people call it it’s Prep October… and I am starting to feel the pressure. 

I have been working on a manuscript, for a couple of years now, and in this year’s Camp Nano I saw myself setting its first two drafts in a limbo on uncertainty (more than usual) and started to test writing an english version instead.

I can tell you, it has been a wild emotional ride.

But first, some backstory. I’m writing a novel named ‘The Shapeshifters’ since 2021. You can read more about it the article: Drafts, writing plans and mind the gap

I have been imagining, and reimagining, and trying to create a story that has been with me for a long time. Mainly because I choose some difficult themes to work with… but this is personal, and it’s not for full disclosure at this point.

I was so happy when, in the beginning of 2021, I was able to put pen into paper and craft the major parts of this story.

Then I started working on a second draft, adding to the story, and getting my sub-plots aligned. Second draft completed and then…

I started writing the third draft in English.

It just came out that way!

This change gave me a pretty good amount of difficult feelings. I was supposed to continue this project, as planned, just trying to get it written in Portuguese, and polished to the best of my abilities.

But there I was… writing a new first scene, in another language.

It’s not that I want to translate what I have written. No, I want to write it anew, as if the first two drafts were totally exploratory.

And this added to the complexity of the writing process.

Very well, then!

What now?

One of my main goals/tasks for this Autumn was to finish my third-or-first draft of ‘The Shapeshifters’. Third draft because it’s the third time I’m rewriting this story. Or-First because it suddenly got rewritten in English.

It was reiterated in July’s Camp NaNo but I am still struggling with it.

As I wrote before… 

“I need to go back to the drawing board and write a new plan for this story. There are some changes, that I want to make, regarding characters and story line. I’ve noticed that I designed a lot of backstory but failed to put it to good use. 

Characters backstory, connections and past traumas are important and need to be carefully embedded in the story. How could I write a story with 79341 words and not put enough density is beyond me.

I’m always careful about not overdoing on what might be considered the boring stuff, an excess of whatever isn’t required. But it seems I trimmed it too much, leaving out even the important story details.“

As much as I see the need for all of this, the overthinking about the details, the decision making process, I was feeling a bit overwhelmed with the subject. I needed to get my real bearings and find a way to get back to ‘The Shapeshifters’.

And the Muse has to find me working, so…

Five days ago, in a fit of “I am really fed up with all of these thoughts that lead to nowhere, and mind as well stick with the program!“

I took a seat in the most improbable place of my apartment, (not the toilet, it must be the only place where I don’t find myself inspired to write) at the kitchen table. Accompanied by somme draft papers (basically A4 sheets, half used my my daughter’s scribbles, cut in A5 format) and a pen, and started chipping away at the work of putting all the scenes I had in those.

Oh, and it was after dinner, a writing schedule I usually don’t think very well of, since I’m more of an early bird, than a night owl.

It took me 4 blocks of about two hours to finish that work.

Looking ahead

Now, I’m on a crossroads… again. I need to have a visual of the whole project and need to make a better effort.

So on the fifth day I went back to the drawing table and started rereading and adding and adjusting. 

I do not know how this will turn out. I know I’m prepping this project to be properly written during this year’s NaNoWriMo, next month.

But let’s see how all of this goes.

So this is the situation at this point… and you? Are you doing the NaNo challenge? How’s your writing process going?

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Bye and Keep writing! ✍🏼

How books get us writing

writing craft books

I always get inspired when I read. I feel this a lot, specially if I’m reading non-fiction books.

Don’t get me wrong, fiction also gets me inspired, but in other ways. Kind of a different type of resources input.

If I read some fictional stories I usually absorb the inspiration of new ideas without giving it much thought. It’s like if the nuggets of wisdom get inside my head without effort or, let’s be upfront with this, get picked up in a less conveniente usable order.

Reading in our genre of choice can be a well of inspiration and, at the same time, a comparison tool that gets us crippled in our thoughts, if not in our actions.

When I pick up a non-fiction book, if it’s really good, usually I get a bit hung up on it, trying to take all of the great ideas, underlining it and even taking pictures of entire pages, so I don’t forget what I read.

I did a pretty good job of underlining almost every word of books like “Turning Pro” from Steven Pressfield.

This feeling of discovery of a meaningful work is the best inducement for my own creativity. I read it and I wish to share it with the whole world!

But then I hit the meca of inspiration…

Books on the Writing Craft 

Reading what others have written about the Craft usually represents a well of inspiring information.

And not just from the nuts and bolts part of it (“The Art of Fiction” by David Lodge comes to mind) but also from those inspiring essays and articles which form a lot of a writer’s daily work.

“Why I Write” by George Orwell is a good and inspiring essay.

It’s feels like we are given access to the minds of these esteemed authors and creatives, and we get to learn from their personal struggles.

Learning about the particulars of their writing craft, how they see writing related themes, the importance of taking notes and more. Through their experiences we get to work things out for ourselves, and use it all to advance in our own practices and ultimately, to know more about how to be a writer seems like.

“Bird by Bird” by Anne Lamott comes to mind here. It is one of the best books on writing ever!

Reading about the Writing Craft (and other related crafts) give me tools to practice on composing my own works, testing how to’s, and giving me insights and choices.

I always feel that, through reading I am given the lay of the land and a compass to help me find my bearings, through other writers thoughts and experiences on the matter.

I recall reading Rainer Maria Rilke’s work, part of his letters and his biography of sorts, through different sources, and got an immediate sense that it was okay to write in formats not attributed immediately to literature, like letter writing. 

His work lifted a boundary for me on what I thought was a formal writing practice.

Writing letters was fine too. And this got me more at ease with some of my writing activities and abating in that sense that if I wasn’t writing a long genre novel, I couldn’t consider myself to be writing at all… even if I had other ongoing projects at hand, like poetry, and short-stories, notebooks of sorts and (even) blog posts.

This notion was a major breakthrough! And reinforced my belief that books can bring us invaluable knowledge.

I do not consider myself a fast learner. Sometimes I take a really long time to perceive the obvious of a situation. But I always believe I capture other informations, less obvious, about a subject, theme or situation. Sometimes, how I feel about something is my firm indicator of an approachable way to get to know something more profoundly.

I also feel I lack the formal education part of the writing craft and I have found my teachers in books. I feel they help me learn about craft in ways that are more palatable to myself and less structured than a three years degree.

Sometimes online courses are an option and are a great pastime. But they kind of feel like a vanity pursue more than a formal experience. Which is fine, but not always to my liking. Specially because the very good one’s tend to be expensive and it’s crucial to manage all of my resources wisely. 

Books are a teacher of sorts. Through them we get access to formal knowledge, find some good contemporary mentors, or non contemporary ones, and they propose to take all our doubts away… specially if we read a lot and in different fields of knowledge. 

Books are great helpers, good friends and excellent teachers. They answer all questions, patiently give their support in our pursue of knowledge, are always available to repetition, and nurture our creativity.

Finding the answers through books is just a more slowly process to entail. But I like slow. To know is to repeat. To create is to live. To read is both.

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Bye and see you soon.