Books on the Writing Craft and other matters at hand

books about writing

Hello all! Welcome back to this blog.

Let’s talk about writing… and reading towards our writing practice.

On this article, you’ll find some ideas about formal studies, the need to keep learning, and the books that I’ve included on my learning practice about the writing craft.

Yes, I made a list with all my 5 star reads on the writing craft. Enjoy!

And tell me more… What have you read? What are you reading? Recommend some books to me?

So… About formal studies

Formal studies teach us to read, focusing on goals. School gets us the reading practice oriented to themes, and learnings that we need, in order to perform… mostly to perform in tests, but if we have writerly aspirations, it gives backbone to our efforts.

Later, and as we exit the formal education system, all we bring with us are the systems taught, while learning the official programs.

And many of us, also bring an intense dislike by obligatory readings.

Out of school and into self-learning…

Out of school, no more learnings? No. Self-learning is part of the writing (and living) craft.

To make use of a more formal approach to learning, even if we are out of school for good, can make the diference we need, in order to write better.

After all, if we are not in the formal circles is a lot more difficult to be exposed to the basics, because it’s what school give us: the basics.

At this time, we have licence to go and study by ourselves whatever we want to learn.

Of course, that Learning is hard. Not just while in the formal teaching institution, but also by ourselves. We tend to be lenient towards what we have to do, and want to do. It takes a lot of discipline to really live the scholastic life, when we frankly don’t have to.

So we struggle.

Best versions of ourselves are hard to grasp

Trying to find things that motivate us to learn more about, or read more about, and failing on maintaining that energy is the usual cup of tea.

Also, having the means to do it (time, money, will…) is usually a hard combo to achieve. Means are usually scarce, and it’s hard to get our hands in the best version of the knowledge, we need to have access to.

And it’s just better not to bother. It’s easiest not to do it. Or to pretend to do it, and just give an half-ass efforts into it… And then we end up more hurt by trying it half way, instead of going all in.

Because we fail to see the reward, we put moderated efforts and get frustrated when things just don’t pan out as we wish. We want it all, but fail to give it our all.

A clue…

Set some order on learning efforts. Have a more organised approach to subjects and just do the time on the work. Read the book, do the training, have the workshop, write the text…

And, in the midst of setting my own learning practices, I give you the most important learning resources I have come accross in the past fifteen years.

So… I give you some books about the writing craft, that have made a difference on this learning journey. Just the 5 stars reads that were useful and fun.

Books on Writing

“Revision & Self-Editing” by James Scott Bell

About the most important aspects of writing and the impact of revisional work and self-editing our writings.

“Turning Pro” by Steven Pressfield

A motivational book identifying a force known as Resistance, and how it impacts our creative efforts.

“Letters to a Young Poet” by Rainer Maria Rilke

Some well thought advices, from a most beloved poet and letter writer, that guide us through the sacrifices that the work demands from us.

“Turning Home” by Susanna Tamaro

Reflections about living a writerly life and how her personal experiences shaped her, her longings, and her fictional writing.

“A Room of One’s Own” by Virginia Woolf

Getting to know the irony that shaped this women, in her writing acknowledgements and achievements, is a priceless lesson, humorously put.

“Word by Word” by Anne Lamott

Invaluable lessons on the most common (and abstract) problems about writing and living a writer’s life. A guide to our more common feelings towards the writing predicaments.

“Big Magic: Creative Living Beyond Fear” by Elizabeth Gilbert

Stop romanticising the hardships of the creative life. Accept the mystical of the creation act and find happiness in writing.

“Escrita em Dia” by Margarida Fonseca Santos

Useful exercises on the writing craft, helping unblock ourselves, and finding rhythms in our creative practices.

“Nobody Wants to Read Your Sh*t: Why That Is And What You Can Do About It” by Steven Pressfield

A non-nonsense way of looking to readers realities. We might as well face it and learn to do better to captivate people’s attention.

“Zen in the Art of Writing: Releasing the Creative Genius Within You” by Ray Bradbury

Inspiration and the celebration of the writing life.

“The Art of War for Writers: Fiction Writing Strategies, Tactics, and Exercises” by James Scott Bell

Strategies and thoughts on writing, through the lenses of the first manual written on war by Sun Tzu.

“The Artist’s Way: A Course in Discovering and Recovering Your Creative Self” Julia Cameron

Unstuck yourself with this 12 weeks course on how to create and be creative. Find out the easiest way to accept that we are all creatives at heart.

“Bird by Bird” by Anne Lamott

Writer’s themes are dealt with with humour and simplicity. A precious help on the more usual predicaments about the writing life. And it’s good for the non-writer’s as well.

“The Faith of a Writer” by Joyce Carol Oates

What a writer believes, and writes about, and how an honest take on the writerly issues can help us cope with this life.

“Why I Write” by George Orwell

A short essay on his motives for writing, so similar to our own, and interesting to compare to.

“Quem disser o contrário é porque tem razão” Mário de Carvalho

A Portuguese author’s take on the writing life, and writerly themes, setting the tone with: there are no absolute truths, just opinions on subjects and actions we take.

“How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines” by Thomas C. Foster

A funny, well versed, intelligent professor gives us the written version of his usual classes on Literature. With the so well put knowledge, we learn to see beyond the works and criticism on literary works.

“On Writing: A Memoir of the Craft” by Stephen King

A glimpse into his thoughts on the writing craft throughout the years, and his multiple experiences with being the struggling, and the successful writer.

“Writing Fiction for Dummies” by Randy Ingermanson and Peter Economy 

The nuts and bolts of writing through some studied methods. This is a how to book, worth the immense time it takes to read and apprehend it fully.

There are others, but not 5 stars reviews, so I’ve kept them out of this list. These are my most precious and inspiring book on the writing craft.

Reading and self-learning efforts…

This year I have a reread already lined up, and a new book on the craft.

The reread will be “How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines” by Thomas C. Foster. I just got the paperback copy and want to read it in this format.

The new book is “The Elements of Style” by William Strunk, which I hope to get to soon.

Meanwhile,

I discovered some 4 stars right here on my shelf, that I feel have been neglected. I have read them, but I feel the need to reread and see what I missed on the first time, that made me give them a 4 star rating. These are:

“Ernest Hemingway on Writing”, edited by Larry W. Phillips

Some quotes and curated excerpts of Hemingway’s works related to the writing craft and his practices.

“How Fiction Works” by James Wood

A literary essay on criticism, literary artefacts and craft tricks writers use to deliver their messages.

“The Art of Fiction” by David Lodge

Prose for the newspaper readers, as he gathers a topic from a well-known novel and uses his literary experience to enlighten and delight the common reader.

I feel all of these need a second turn on my reading radar.

Getting Back to the basics…

I have wanted to be exposed to the basics, and I’m working through some kind of writing bibliography, in tandem with reading fiction.

But I feel I need to have a more dedicated study practice. And this is something to chew on for a while… Set some guidelines and do the work. I’ll let you know how this goes on future blog posts. 

See you next week! And, meanwhile you may checkout my social media and subscribe to this blog.

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Bye and Keep Writing! ✍🏼

Meanings in our writings and please our readers intensely

subtext and symbols

Hello all! Welcome back to this blog.

A clock isn’t just a clock. It’s a symbol of other things that permeate the story. 

Mentioning a season isn’t just how’a the weather or to place a story in time. It has meanings, and connotations with life itself, human life spans, among other things.

Our references, all the things we read and watch, live and learn, bring us to the threshold of deeper meaning and purpose in the stories we write.

This reminded me of a personal story…

In my high school senior year, one of our Portuguese Language class assignments was the reading, and study, of a particular theme in a Portuguese Classic work. We had to write a paper, and present it, in front of the whole class.

The book contained a lot of themes from which to choose from: plot, characters, places, symbols, and other sorts of fundamental pillars, that served as building blocks for that particular story.

I admit, it was rich in possibilities.

But, truth be told, I hated that book.

It was long and boring, I couldn’t understand half of it, and so dull that I kept falling asleep before the first twenty pages were up. It was a painful read for the time… and I took the class a second time, to improve my grade and have the chance of a better access to college. So, I suffered the boringness twice.

I guess it doesn’t matter which book it was, but for this story intents, I’ll leave the link here:

Aparição by Vergílio Ferreira and the youtube movie trailer. ‘Apparition’ as a direct translation.

I don’t believe it was ever translated to english. It didn’t made it to the worldly stage, like Saramago’s work, for example.

And the shock I felt as I discovered it was made into a film!

The book blurb goes as follow:

Aparição is a novel by Vergílio Ferreira in which he discusses philosophical theories connected to existentialism, written in the first person.

Need I say more?

The movie trailer got me curious to see which parts of Évora I do know… and that’s about it for the current me book reader.

But, back to the subject at hand.

Can you guess what I chose to study and present a paper about?

Symbolism, of course! In both years. And, no, I didn’t cheat on the second paper.

I will not pretend to have been interested in it so much that I went back to the existentialism theories and construct upon those. No. I wasn’t so great at philosophy either but, I was good at the Creative Writing part of it though.

So, I stuck to the more immediate symbolism of the different objects, ambiances, and words used in the text. Grouping them into different types of symbolic representations and delivering a multitude of possible meanings, and how those served the text in itself.

Looking at it from the symbolic perspective was fun. And it was the only theme I could have dealt with at the time.

But still, I didn’t go too deep, alluding more than actually stating through text. Yes, the animosity between me and that book got me little to nothing invested in studying it. I was sixteen at the time so…

But this experience with symbols, symbolism and layers upon layers of deeper meaning, got me hooked.

I have read books on it, and watched college lectures about it, and pinpointed examples of good, not so good, and poorly written symbolisms, always sharing the opinion of those who favor symbolism as part of a more meaningful construct, rooting fictional stories into deeper meaning.

[For years that I have been eyeing a Dictionary of Symbols that costs a small fortune]

We write to connect people. We write stories bringing our experiences and personal reflections to the plots.

Symbols and working with other levels of meaning, gives meat to the bone structure of these stories.

Understanding how certain words may allude to particular themes gives dept, and some complexity to our stories, and to every other artistic representation.

It’s not just listening to a catchy tune, but understanding the lyrics. Not just watching a movie, but capturing the ambience and the mood intended. It’s looking at a face, in a painting, and recognising the expression in the eyes. It’s not just quoting a phrase of some random book, but scrape the fluff, and connect with a representative meaning.

A clock, a meal, a particular time of the day or night, the season of the year, a facial expression, an action, a lack of action, a physical place… all have meanings, and can be worked into our story as representative details that help compose a really great piece of storytelling.

And it’s fun to locate those pieces of deep meaning in our stories, and make them work for the success of the plot, and for the possibility of bringing our art to a new level of mastery.

Intelligent people connect through meaning. And readers are in the intelligent game, aren’t they?

I believe they are. 

And so should we, the writers, be.

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

Have a Romance Novel within you?

romance novel

Hello all! Welcome back to this blog!

A few years ago I discovered Romance. Not just the sub-plotted thread lines existing in which ever genre that I came across, but the innovative, new born, sub-genres of Romance. 

I discovered that I loved to read Romance and that I went by these books in a short breath time span.

This phase gave me a good perception of what was being created in those years and how some storylines were most attractive to me than others.

I remember crossing paths with Young Adult Romance and Adult/Erotic Romance. I remember the impact of Urban, Fantasy and Paranormal Romance.

But what they all had in common was the Romance part.

Even when the plot was about something else entirely, it was the quality of relationships and the love that bloomed, as well as the griefs and disappointments of an unrequited love, and everything in between, that were the propeller to read more on different genres.

I’m from a time when writing romance was still very frowned upon.

Fortunately I can now say that I am from a time that saw these preconceptions evolve into a more mainstream type of literature and are a bit more tolerated.

Just a bit. Let’s not go crazy over this.

[Was this the reason they were so afraid of? To have a lesser genre to be a big earner? Never mind.]

By now, I’m tempted to list a few of my most impactful reads. ***Should I? Let me know in the comments, if you’re interested in knowing what got into my Best Romance Books Ever.

There had been a great number of romance books written in such an impactful way that I do hope they withstand the passage of time.

A few months ago I came across a few lists all under the reference “Best Romance Novels of All Time”.

I was quite curious about what would pop up if I researched something as broaden as this and it did not disappoint.

Of course we had the classics in there, which contains some of my favorites, but there was also a few of the published (and self-published) ones that are now considered modern genre-classics.

Goodreads produced a list of 639 books on this query: Best Top Romance Novels of All Time . A list which needs to be revised since it has escaped the fundamental criteria for existing.

Criteria: The list is compiled from Amazons Bestsellers in Romance for the peoples view, from Romance Readers Top 100 Romance Novels for a Critique View, And from the Best books From last 10 years lists. Each book has been rated at least 4 star by at least 75 readers.

639! And some of those are series.

Then, it was time for browsing through a Readers Digest Article with the 55 Best Romance Novels of All Time. Last updated in January 2023, this list contains more recent romance novels, from which I spotted a few well loved of mine.

Since this article has the following disclaimer, and it fails to state the choice criteria, I don’t think it to be an unbiased list.

Our editors and experts handpick every product we feature. We may earn a commission from your purchases. 

But its a list, no matter what. A list in which we may find some romance suggestions.

Then it was time to check out ProWritingAid‘s book list. The Best Romance Novels of All Time: Top 60+ Love Books contains a few well known works organised under the epithet’s The Essential Reading Lists: Romance.

Criteria: Top Classic Contemporary Romance Novels. Contemporary is the largest sub-genre in romance. It’s an umbrella term for romance novels set at the time the author was writing—from about the 1970s onwards. You’ll find stories about modern themes, challenges, and society, with most contemporary stories rooted in the real world. We’ve split this list into modern classics and rising stars.

I couldn’t avoid mentioning The Best Romance Novels of 2022 in The New York Times.

As well as The New York Times Best Sellers. [How many of these are Romance?]

I am contemplating doing a WTR list for my own purposes, after all, I love reading romance. I feel I have quite a few classics to catch up, I mainly disregard the contemporary romance best-selling books, and I write paranormal romance, so I should be reading further on these sub-genres across times. And a separate WTR Romance list would be wise of me keep.

For now, I hope you find some Best of All Times Reads in one of these lists and keep reading. Reading is very important if you want to keep writing.

And if you feel you have a Romance Novel in you, it doesn’t matter how many books are on these lists. There is always space for a truly brilliant story. The one you will write.

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

References: 

My favorite writing-craft books

favorite books

Hello all! Welcome back to this blog.

This week is the final stretch before Christmas, as is celebrated by yours truly.

I have been on my usual predicaments, writing and reading, and more writing, and editing, but I’ve decided to share with you some of my favorite writing-craft books.

So, if you are thinking about giving a book to your favorite author/reader, feel free to pick one, or several, of these books. I’ll share a bit of my opinion about them, of course…

1. ‘Bird by Bird’ by Anne Lamott

I wish I could just share the impact of this book with you. This is a book for writer’s and for writer’s friends and family. It helps others understand a bit of what ails us.

Written by Anne Lamott, which I am a fan, and have read most of her other books also, never feeling disappointed by any of those. But I do feel this ‘Bird by Bird’ had made a great impact in me and in my writing.

If you like writerly themes, if you have an aspiring author in your life, if you want to gift someone with a great book about the writing craft, this is the book for you.

2. ‘The Artist’s Way’ by Julia Cameron

Is it a book? Is it a course? Is it guidance from above? All of those. I found this book in a very tricky phase of my life.

I was going through some life altering changes, and doubting myself, and my writing efforts. This book got me through a lot of doubts. It helped me get in line with my program and devote myself to my writing efforts, respecting myself as a creative person.

This is a book for people who lost or are losing hope in their creativity. I can’t recommend it enough.

3. ‘Writing Fiction for Dummies’ by Randy Ingermanson and Peter Economy

What can I say? Everybody is a dummy before learning to be something else.

This book has so many basics about writing and creating our stories, and methods, and writing techniques, and themes, and loads of other important information that is hard to list them all. I found this book very enlightening and go back to it repeatedly.

If you want to know some basics of the writing craft this is the book for you.

4. ‘The Faith of a Writer: Life, Craft, Art’ by Joyce Carol Oates

Having the undiluted view of a writer about her craft, and how it impacts life, it’s a priceless gift.

Through this book we get to learn how struggles make our path in writing a true one. Oates guides us through our most recurrent themes, showing us that it’s our faith and our devotion to reading and learning that get us through the difficult patches.

It’s a must read.

5. ‘Letters to a Young Writer’ by Rainer Maria Rilke

To have a teacher as Rilke telling us about devotion to our writing craft, in this particular case directed towards a young wanna be poet, is touching.

Life, writing, devotion, work, all are themes for Rilke to discourse upon, and for us to accept the vision of a very wise man.

You’ll find nuggets of wisdom that will make ou wonder how this could be…

6. ‘Why I write’ by George Orwell

A book made of several essays but it’s this ‘Why I Write’ that allows us to discern how Orwell’s thought about the writing craft.

It’s a very enlightening essay, full of technical questions and subsequent answers. The big premise of them all being inserted by the list of reasons that get someone to became a writer.

It’s a must read essay about the writing life and craft.

7. ‘How to read Literature like a Professor’ by Thomas C. Foster

Oh! This was a fun book to read. As a true Professor, Foster knows how to captivate his audience and make us see what might have been lost because of sheer boredom.

His way of handling the writing subjects, the meanings behind techniques and making us look for just good, unbiased, writing, is a gift for all that get to read this title.

I do recommend it if you are an aspiring author. It made a huge impact in me.

8. ‘Turning Pro’ by Steven Pressfield

Turning Pro is the nudge we all need to get in touch with our life’s program. Pressfield writes about his life and his experience in becoming a well-known writer.

There are some powerful lessons inside this book. No sugarcoating the thing, no handling with care, no lies about what we need to accept in our live’s if we want to pursue the writing craft.

It’s an eye opener of sorts. I do recommend it most vividly.

9. ‘Big Magic: Creative Living Beyond Fear’ by Elizabeth Gilbert

This is road trip through all of our most ingrained fears and tremors about the writing life. Always reaching for a positive and transformative point of view on all matters, Gilbert help us having a new perspective of the writer’s life choices.

There are myths in here being debunked with the personal flair of this writer.

It’s a fun and helpful book if you are an aspiring writer.

***

I hope you found these suggestions inspiring. I’m always on the look out for other favorites so, let me know if you have one to suggest.

Let me know if you read any of these and your opinion about them. And, please feel free to suggest a few of your favorite books on the writing-craft.

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

Another writing update on ‘The Shapeshifters’ and NaNoWriMo

writing update

Only five days to the end of November. Only five days to the end of NaNoWriMo. But ‘The Shapeshifters’ is a long way from finished.

I started planing this story, with all my usual twists and turns, but you can read more about it on ‘Hello NaNoWriMo and lots of Shapeshifters‘.

I made plans and then I made a plan for the plans… now I have a new plan. But about the planning stage of this story you can read more in ‘Setting up my NaNo Project and Prepping all the must have’s‘.

If you’ve been following me on social media you already know that I managed to write my 50K for NaNoWriMo on the 13th of November.

I was a few scenes away from the mid point, when I hit the 50K, and I over estimated how much it would take to write this story. I figured I could aim towards 100 000 words, so that I would have a bit of a wiggle room for cutting during editing processes.

Well, this didn’t happened!

I’m very conscious of what I put in when I’m writing fiction. I tend to write in a way that gives just enough details for the reader to imagine the rest, and allow them to make the bigger connections between the information if they want to.

I don’t employ many words in creative descriptions. Purple prose doesn’t captivate me when I’m writing fiction. And I didn’t want to fill it with unnecessary junk just to make the word count. So, no 100K for ‘The Shapeshifters’#1.

On day 23 of November, I already knew I wouldn’t be writing much more than the 77K. Even if I know I have a few more things to add, even entire scenes. But this will not represent 30K of writing. It really isn’t possible to accomplish on the remaining days of this NaNoWriMo… and I’ll tell you why in a moment.

I started getting a bit fretful about this, it’s been a freaky gut turner, but I figured I wanted to study my options first.

Option #1. I could go ahead and start revising the draft.

But this is usually a more slow paced activity and it would not produce the 1667 words per day I needed to put in.

Option #2. Or, I could move on to ‘The Shapeshifters’#2.

But this meant starting another rough-rough draft without having done my due diligences.

And… I’m not emotionally prepared for this!

Another detail, that might seem stupid to you, but it’s important to me, I really wanted to earn all the badges on NaNoWriMo website.

I can now tell you that this will not happen.

First badge: I will not hit my daily count every single day of November, because I already achieved the 50k and I’m not going for 100K anymore.

Second badge: I don’t know if I’ll be able to update the daily count every day, because editing is different from writing.

On the 23rd of November I tried to start editing the draft.

I know it needs a lot of work, but editing is different from fully writing, so I did some editing… 278 words worth of editing.

And on the 24th of November I went back to the drawing board.

I’m starting my edits now and there are some details that need to go in, and some considerations to be done now, if I want to write this trilogy properly.

And I do want to write this trilogy properly!

So, I’m all in my drawing board mood.

drawing board

For now, I’m trying to hold on to my win here. I wrote 77k on a draft in twenty two days. That’s a win.

I did it at a faster pace than I imagined possible.

I had great fun writing and rereading this story.

I identified some must have’s and need to do’s and I’m focusing on doing those.

I’ll be talking a bit about this on this week’s YouTube vídeo. Please, don’t forget to subscribe to VLook and hear all about it.

Hope you’re doing well and participating in this year’s NaNoWriMo. If so, how’s your project going?

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

Pantser into Plotter

pantser into plotter

I guess as time passes, and we get to practice more and more of our writing, some things about ourselves are bound to change.

It’s not by chance that most writers start as pantsers and after a while evolve into plotters.

Why? I’ll tell you as much as I’ve lived it. 

something about yourself

I don’t believe this was meant to be taken literally. But, yes. When we start to write our first novel we discover many different things about ourselves.

Not all of them are as deep as implied here. But most most of them are of the life changing variety. 

The 4 Creative Paradigms

Picking up on the Creative Paradigms as explored on ‘Writing Fiction from Dummies’, meaning the methods we may use while writing the first and subsequent drafts, we have:

  • Seat-of-the-pants (write in one sitting, without planning or editing)
  • Edit-as-you-go (write without planning but edit thoroughly as you go)
  • Snowflake (write a general plan, adapting it as you go)
  • Outline (make a detailed plan, than stick to it regardless)

Our beliefs

When we start writing we want to be good immediately. We want to become the best. We learn how to do some tricks (those things that we read and thought them out of this world good) and pray they carry us into an organic, and not too troublesome, writing practice.

But, at that time, we hadn’t put in the how many?!?!?! working hours we need to have some proper insights on the work itself.

The pantser kind of is our first and most dearest friend. And he can stay that way if used for the parts where he does his best work, like imagining a plot.

So, a pantser writes his stories using the Seat-of-the-pants creative paradigm. A pantser writes fast, without planning much, making it up as he goes along.

A plotter write his stories using the Outline creative paradigm.

A plotter uses outlines to plan and write his story. He works out the kinks before getting himself into the trouble of writing a full draft.

My journey

Looking into my own writing practices, I have used all of the different creative paradigms.

Experimenting on what best fits my writing needs, seems to be my method, and I use them in different parts of the writing process also.

I believe it’s a good thing to respect each project and leave to it to dictate which method would serve him best. There are projects that ask for a quick plotting session and others that are best left to the heat of the moment inspiration.

But, one thing I had been noticing in my writing practice, other than it evolve regardless of should’s and shouldn’ts, is that each project seems to ask from me a different creative approach

As I’ve been working on different lengths and types of stories, I understood that some require a bit more planning from the get going than others. As well as, some ask for more improvisation in order to flush out more creative ideas.

Also, there’s a creative paradigm more fit for a first draft of a story, and another quite different, for a second or third drafts. Why? Some give us more leverage to explore, while others are more suited for working out the things that aren’t good enough.

permission

I had been using all of them, sometimes both pantser and plotter on the same writing project, just in different phases (drafts or composition materials) of it.

But I kind of figured out that, when we start writing, and have a practice for some years, we get to evolve naturally into using more wholesome writing methods. 

We do not have the thrill of the major plot twist. I mean it in a sense of spilling everything onto the page with just that big goal in mind, not delivering on all the other requirements for a good story.

With practice we get to appreciate the composition of the story as a whole. Enjoying it best when we can work out all the details that will help us deliver that plot twist emotion seamlessly.

And it’s kind of easier to draft an entire novel if we have the guidelines previously written out.

Writing an extensive piece of literature is a tiring long run, a marathon, not a sprint. If we have the road clear, and all set up, we can walk it until the finish line, without many path corrections.

But I believe, the important thing to retain in this subject is: we show up to our work, we practice, we experiment, we write stories and we evolve as writers. Then, the creative paradigm will be our own, perfectly suited for our way of writing and being.

Hope you’re doing well and participating in this year’s NaNoWriMo. If so, how’s your project going?

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

***

References ✍🏼

How books get us writing

writing craft books

I always get inspired when I read. I feel this a lot, specially if I’m reading non-fiction books.

Don’t get me wrong, fiction also gets me inspired, but in other ways. Kind of a different type of resources input.

If I read some fictional stories I usually absorb the inspiration of new ideas without giving it much thought. It’s like if the nuggets of wisdom get inside my head without effort or, let’s be upfront with this, get picked up in a less conveniente usable order.

Reading in our genre of choice can be a well of inspiration and, at the same time, a comparison tool that gets us crippled in our thoughts, if not in our actions.

When I pick up a non-fiction book, if it’s really good, usually I get a bit hung up on it, trying to take all of the great ideas, underlining it and even taking pictures of entire pages, so I don’t forget what I read.

I did a pretty good job of underlining almost every word of books like “Turning Pro” from Steven Pressfield.

This feeling of discovery of a meaningful work is the best inducement for my own creativity. I read it and I wish to share it with the whole world!

But then I hit the meca of inspiration…

Books on the Writing Craft 

Reading what others have written about the Craft usually represents a well of inspiring information.

And not just from the nuts and bolts part of it (“The Art of Fiction” by David Lodge comes to mind) but also from those inspiring essays and articles which form a lot of a writer’s daily work.

“Why I Write” by George Orwell is a good and inspiring essay.

It’s feels like we are given access to the minds of these esteemed authors and creatives, and we get to learn from their personal struggles.

Learning about the particulars of their writing craft, how they see writing related themes, the importance of taking notes and more. Through their experiences we get to work things out for ourselves, and use it all to advance in our own practices and ultimately, to know more about how to be a writer seems like.

“Bird by Bird” by Anne Lamott comes to mind here. It is one of the best books on writing ever!

Reading about the Writing Craft (and other related crafts) give me tools to practice on composing my own works, testing how to’s, and giving me insights and choices.

I always feel that, through reading I am given the lay of the land and a compass to help me find my bearings, through other writers thoughts and experiences on the matter.

I recall reading Rainer Maria Rilke’s work, part of his letters and his biography of sorts, through different sources, and got an immediate sense that it was okay to write in formats not attributed immediately to literature, like letter writing. 

His work lifted a boundary for me on what I thought was a formal writing practice.

Writing letters was fine too. And this got me more at ease with some of my writing activities and abating in that sense that if I wasn’t writing a long genre novel, I couldn’t consider myself to be writing at all… even if I had other ongoing projects at hand, like poetry, and short-stories, notebooks of sorts and (even) blog posts.

This notion was a major breakthrough! And reinforced my belief that books can bring us invaluable knowledge.

I do not consider myself a fast learner. Sometimes I take a really long time to perceive the obvious of a situation. But I always believe I capture other informations, less obvious, about a subject, theme or situation. Sometimes, how I feel about something is my firm indicator of an approachable way to get to know something more profoundly.

I also feel I lack the formal education part of the writing craft and I have found my teachers in books. I feel they help me learn about craft in ways that are more palatable to myself and less structured than a three years degree.

Sometimes online courses are an option and are a great pastime. But they kind of feel like a vanity pursue more than a formal experience. Which is fine, but not always to my liking. Specially because the very good one’s tend to be expensive and it’s crucial to manage all of my resources wisely. 

Books are a teacher of sorts. Through them we get access to formal knowledge, find some good contemporary mentors, or non contemporary ones, and they propose to take all our doubts away… specially if we read a lot and in different fields of knowledge. 

Books are great helpers, good friends and excellent teachers. They answer all questions, patiently give their support in our pursue of knowledge, are always available to repetition, and nurture our creativity.

Finding the answers through books is just a more slowly process to entail. But I like slow. To know is to repeat. To create is to live. To read is both.

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Bye and see you soon.