Beautiful Imagery and our best work

images

Hello all! Welcome back to this blog.

Imagination and Imagery are intimately connected. It’s the power of combining images, transforming them into our particular reality, and even going beyond that.

Writing is constructing images in our heads and in our readers minds.

While building a story we recur to different strategies to visualise how characters, locations, and objects, will appear to our readers.

I do believe that, all that we can see in our minds will translate into a page in the most effective way we can imagine, if we just put the work behind it.

I also believe that usually this happens in ways we can’t perceive objectively. It’s kind of a shadow work that occurs inside our minds, fuelled by all the collected inspirations.

The act of describing what we are envisioning, letting what we absorb come through, will make reading a lively experience.

This means building ideas about how the elements will be, and master its materialisation on the page. Whatever the story, in whichever genre we fancy.

How we find imaginative inspiration?

Some of us, writers and imagery builders of sorts, have a fondness for reading and imagine things in our own way.

Sometimes, this ability gets us to have a book turned into a movie just because the imagery used was totally wrong from what we had envisioned.

Others, find it useful to look at correlated art works and give our imagination a hand at picturing worlds, creatures and even human faces.

There are a few theories about this brain ability of ours, categorising people into types of learners, just by figuring out our abilities to retain information and, therefore, use it in creative ways, accordingly to our main senses of vision, hearing and touching.

I found that, for me a mix and match of all of these, work in different projects and situations. So I learned to use visual aids, and well as hearing and touching.

In some projects I use music. In others, drawings and pictures. With more, or less, emphasis on each aid, according to what I feel is most needed for me to capture the full experience I need.

Because to learn about these characters, and this world, and these objects and locations, I need to attune myself to their particularities. And this is only possible if I keep my sources of inspiration in an expanded mode. Always looking, always alert, always integrating fun little snippets of information that might seem to be just there for the taking. Just so I have some places from which to draw inspiration from.

Where do I find some inspirational imagery?

Just looking at other people’s rendition of something, a picture, a drawing, a digital art work, a description, a capture of some sort of inspirational material, allows me to let me own imagination guide me into my own world building, with all it entails. Browsing through Pinterest, DeviantArt, a Google search on Images tab, can get me some much needed help on figuring out some writerly things.

How do I use it in my writing process?

I use it for inspiration, to build up my mental muscles on the much needed imagery.

Exposing myself to beautifully composed images, to gruesome battle outcomes, to twirls of abstract imagination, will get me content enough to start thinking about my own creative processes in my stories.

Also, I use it for writing exercises.

To have a prompt, and to build upon that little morsel of imagery is a pleasure, and alleviates me from having to start with the dreaded blank page feeling.

Just like painting uses references, the  writing practice also can, and should, do it. Imagery serves us as guides in this unthreaded wordy land.

Is it beneficial to my writings?

Yes. It is indeed. My imagination needs all the aid she can get. My writing efforts benefit from everything I throw at them. All the little unsuspected efforts we can make to help us write more and better are welcome.

If we find a notebook full of clippings is the way to go, we should try it out; or a mood board hanging on the wall; a Pinterest album full of scary pictures; a reference book on imagery; a subscription to a travel magazine; or any other way of collect those images we will be recurring to intentionally, in order to make our writing process smoother and more inspired.

Standing in the shoulders of giants has its downside?

Do not copy. Do not steal. Do not use without permission. Do not go into that unimaginative, hurtful, dishonourable lane.

Reconnect the dots of all you have learned and add to the work already done. Be inventive, resourceful, creative in your own right. You can do the most beautiful, your own, work. And it will feel good to do so.

Be careful of the difference between gathering inspiration, to work out added value, and the already mentioned problem above.

Gather from all types of different sources and think: I am the sieve through which all comes in, and only a small combined part of it mesh and comes out.

Allow myself to be the changing factor, the added value, the combinatory and creative force behind whatever I create.

Will it be easy?

Is anything worthwhile easy? I don’t think so.

Was any of those drawings easy to make? Any of those books we read? Any of those creative breakthroughs?

Easy and Worthwhile are opposites, aren’t they? 

Having these processes available to tap into, allowing new inspiring imagery and information to come through, working out the effective ways they can serve my writing efforts, trying to be receptive to all inspiring tendrils is part of the fun.

All we can do is allow our minds to translate into our work the images we had envisioned. All we must do is ensure that the reading experience will be the best we can make it. And that all these inspirational processes work out for the best in each page we write.

So that our reader truly gets what we were aiming for: the best story possible. 

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Bye and Keep writing! ✍🏼

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References:

Have a Romance Novel within you?

romance novel

Hello all! Welcome back to this blog!

A few years ago I discovered Romance. Not just the sub-plotted thread lines existing in which ever genre that I came across, but the innovative, new born, sub-genres of Romance. 

I discovered that I loved to read Romance and that I went by these books in a short breath time span.

This phase gave me a good perception of what was being created in those years and how some storylines were most attractive to me than others.

I remember crossing paths with Young Adult Romance and Adult/Erotic Romance. I remember the impact of Urban, Fantasy and Paranormal Romance.

But what they all had in common was the Romance part.

Even when the plot was about something else entirely, it was the quality of relationships and the love that bloomed, as well as the griefs and disappointments of an unrequited love, and everything in between, that were the propeller to read more on different genres.

I’m from a time when writing romance was still very frowned upon.

Fortunately I can now say that I am from a time that saw these preconceptions evolve into a more mainstream type of literature and are a bit more tolerated.

Just a bit. Let’s not go crazy over this.

[Was this the reason they were so afraid of? To have a lesser genre to be a big earner? Never mind.]

By now, I’m tempted to list a few of my most impactful reads. ***Should I? Let me know in the comments, if you’re interested in knowing what got into my Best Romance Books Ever.

There had been a great number of romance books written in such an impactful way that I do hope they withstand the passage of time.

A few months ago I came across a few lists all under the reference “Best Romance Novels of All Time”.

I was quite curious about what would pop up if I researched something as broaden as this and it did not disappoint.

Of course we had the classics in there, which contains some of my favorites, but there was also a few of the published (and self-published) ones that are now considered modern genre-classics.

Goodreads produced a list of 639 books on this query: Best Top Romance Novels of All Time . A list which needs to be revised since it has escaped the fundamental criteria for existing.

Criteria: The list is compiled from Amazons Bestsellers in Romance for the peoples view, from Romance Readers Top 100 Romance Novels for a Critique View, And from the Best books From last 10 years lists. Each book has been rated at least 4 star by at least 75 readers.

639! And some of those are series.

Then, it was time for browsing through a Readers Digest Article with the 55 Best Romance Novels of All Time. Last updated in January 2023, this list contains more recent romance novels, from which I spotted a few well loved of mine.

Since this article has the following disclaimer, and it fails to state the choice criteria, I don’t think it to be an unbiased list.

Our editors and experts handpick every product we feature. We may earn a commission from your purchases. 

But its a list, no matter what. A list in which we may find some romance suggestions.

Then it was time to check out ProWritingAid‘s book list. The Best Romance Novels of All Time: Top 60+ Love Books contains a few well known works organised under the epithet’s The Essential Reading Lists: Romance.

Criteria: Top Classic Contemporary Romance Novels. Contemporary is the largest sub-genre in romance. It’s an umbrella term for romance novels set at the time the author was writing—from about the 1970s onwards. You’ll find stories about modern themes, challenges, and society, with most contemporary stories rooted in the real world. We’ve split this list into modern classics and rising stars.

I couldn’t avoid mentioning The Best Romance Novels of 2022 in The New York Times.

As well as The New York Times Best Sellers. [How many of these are Romance?]

I am contemplating doing a WTR list for my own purposes, after all, I love reading romance. I feel I have quite a few classics to catch up, I mainly disregard the contemporary romance best-selling books, and I write paranormal romance, so I should be reading further on these sub-genres across times. And a separate WTR Romance list would be wise of me keep.

For now, I hope you find some Best of All Times Reads in one of these lists and keep reading. Reading is very important if you want to keep writing.

And if you feel you have a Romance Novel in you, it doesn’t matter how many books are on these lists. There is always space for a truly brilliant story. The one you will write.

Please leave a comment and subscribe for more content.

Bye and Keep writing! ✍🏼

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References: 

Writing a shitty first draft

first draft

Hello all! Welcome back to this blog!

Today, I want to talk about shitty first drafts and what it means to cope with first-draft situations.

Yes, because I’m 15 000 words into one of these myself and I’m fretting about it. And, yes. Because I need to find a way to cope with uncertainty so I figured that, maybe so do you.

Or a zero draft, as I heard Kate Cavanaugh from You Tube channel Kate Cavanaugh Writes call it. [Check it out, it’s a good channel to get me inspired for writing and think about writing themes.]

I keep repeating to myself, almost chanting if I’m being honest, that it’s okay to write a shitty first draft.

That I need to put something on the page.

That it doesn’t matter what I write on that first draft because it will be worked on, improved and thoroughly revised.

That without something on the page I have no chance to improve nothing… because there is nothing to improve upon.

[See? I’m almost making a song lyrics out of this. Just need the right tune]

I keep reminding myself of that chapter of ‘Bird by Bird’ by Anne Lamott…

anne lamott shitty first drafts

At least, I know I keep repeating all of that to myself every time I’m in that phase of the process where I need to produce a first draft. And it’s truly alright to write a shitty first draft.

It’s not my first roundabout on first-draft-land. But it’s always tricky to drive in such a bumpy, too large, full of holes road… and it’s a roundabout, so I am to expect some curves and bad angles and some drivers out of their lanes.

I have done this first draft thing in the long format form for six times now.

I’m counting all of my finished novels, including a published one. But I’m not counting any other form of my writings, which all of them took a first-draft phase, including this article I’m currently writing, and that you are currently reading.

Maybe I should consider these also… and, suddenly, my life is made of first-drafts.

This is my seventh first draft and here I am, in overwhelm-land.

It still gets me every time. Six books in and I don’t feel prepared for this part of the process.

It’s like I keep looking for things that aren’t quite worked out yet to keep myself in the overwhelm state. I look at this first draft and wish I could make it perfect… as it is, and knowing very well that there is no such thing as perfect, I’m sustaining the eyes wide open, rapid breathing pattern and in a constant arrhythmia state, ready to flee or pass out (still haven’t decided which one yet).

But I’m not here to complain. Truly, I am not. I’m here to share that this is hard but that I can, and I will persist. And so will you.

After all, I have done it six times already for my novels and a few hundred times for all of my other writing works, like short-stories, poems, blog posts and any sort of creative texts.

I also know that, this too will pass.

I know I’ll end up moving forward, plowing ahead, or tiptoeing around obstacles. Or finding some mental assurances and some strategies to make myself cope with the first-draft situation.

Sometimes coping means:

  • writing my book plans in really big paper sheets. 
  • constructing cards for my characters.
  • writing every scene in a A5 card and have a visual of the story entirety.
  • even writing one version of it by hand in some lame notebook. 
  • enrol in any challenge that makes me forget the thing in itself and make me show up to the work (I am so doing #the100daychallenge that starts in Feb.22).

I’m even considering using the foolscap method, a Steven Pressfield’s suggestion (watch a quick introduction in his Instagram Reels).

Or any other strategy that I feel can help me cope, in this moment, with the uncertainty of it all.

Something like, remind myself why I’m writing this story. Why I’m involved in it. Why my creative path lead me here. And how I felt with a finished book in my hands (not literally).

And maybe get back to the drawing board. To plan my scenes in some way that helps me do this first-draft.

So, I have options. The only option I don’t have is to quit. And neither do you.

I’ll leave you with another inspirational quote:

writing a novel

Just keep driving!

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Bye and Keep writing! ✍🏼

***

References: 

Writing Journal Entry: Words for January

word for January

Hello all! Welcome back to this blog!

Today I want to experiment with a new kind of blog post. Something in the lines of the traditional blog entries from the beginnings. Kind of like a journal entry… Tell me what you think in the comments below, if this is interesting enough for a blog post.

This is the Writing Journal Entry for January 2023

… and hopefully I’ll be writing more of these as I go along. January has been a tough month. You might say “as they all are”, to which I don’t agree.

There are events, or clusters of events, that do change everything at once and that throw us off course. And even though these events have a huge impact in my life and, consequently, in my writings, they don’t relate to it per se, so I won’t be sharing those here (those will go into the proper paper journal).

But I do want to do a profound review of what this January has been and what it means to me to work on these projects.

I have started this year putting into paper my goals for my writings. Creating and sharing the free workbook Plan Your Creative Year Workbook for 2023, was part of my personal efforts to create some balance in my life, and keep myself aware of my ongoing writing projects, as well as reading and mind-growing projects. This was important for me, it has helped me cope with the always latent overwhelming feeling of having so much to do, and not controlling the creative output as I envision doing, among other more distasteful things. To be an author and to show up for it, whatever the situation, has costs and it takes a big toll on our health. All of our health.

Again, this is the link for the free download… [No dropbox account is needed to download it] It’s never too late to draw some plans.

During January I have been pondering about what I want this blog to be really about. Not that I haven’t thought about it before, or made my kind of impromptu planning of it, because I have and I did.

This blog’s service will remain aligned with my will to share more about themes related to Writing, in a broad sense of this area of expertise.

I just keep depositing high hopes in this little corner of the web, and working on it as a kind of repository of ideas about the writing practice, and what it entails in this world of speedy images and an important need for the right words.

In January, this Writer’s blog saw a few of my favorite themes:

It might seem weird but I’m pretty proud of these blog posts. I do love to write in this format/genre and about the craft. 

To me, writing exists in a full spectre, and each writing project has its form, function and gift associated with it. Blog writing is just one piece of the large array os pieces that make this puzzle.

As for Long Fiction Writing efforts:

January was a month for the ‘The Shapeshifters’. I have defined some goals and I’m keeping my word on it. As times passes, and I keep attentively looking at The Shapeshifters #1, I notice other things I need to take care of.

It’s not just about writing the manuscript and crafting the story as I want it to be: as a good starting point of a series… It’s also about the vision for the whole series, the proper way to do other non-related writing work, the acceptance of what I can’t change and the going with my gut while discovering these stories inside me.

I have set a few goals for book #1 and #2 and I’m keeping my word on those. But also, I’m finding that I need to do other exploratory works on these and, even change some things on the first book.

This is my first series materialising itself. I have written other projects that were thought as series but this one is my first full out attempt right at doing so. And this is fun and scary at the same time.

And not just because is my first serious attempt at writing a series but also being out of my comfort zone in so many ways. I have chosen some things for this story that will need a careful editing process and I keep finding things to stress about.

Short-Fiction and Poetry

I always have parallel projects on these formats. There are goals set for some works in progress, but it has been six months since I have devoted the time to constant practice.

I do not like it. Nop.

In my defense, I have been channeling a lot of energy into ‘The Shapeshifters’, but this should be no excuse for my lack of attention to my other writing practices. After all, poetry has been with me since my teens, and I do have a few published poems and a (very ignored by now) poetry blog.

As for short-fiction…

Again, I’m always working on something. This is the elected format for the current writing contests around me, so it’s something to think about if I want to publish any of my stories through the usual channels.

I have put some of this on hold until I figure some things out.

How can people do it all? Frankly, I do not know. Planning only takes us so far… But this is my journal-type of vent, to put the questions out and give them the chance to be answered in a timely manner. 

This was the Writing Journal Entry for January 2023… about writings and feelings and stuff.

How was your January?

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Bye and Keep writing! ✍🏼

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Writing Dark Romance in Fantasy Worlds

dark romance

Hello all! Welcome back to this blog!

Today I want to talk about some of my favorite writing genres.

Writing has its tricks. Writing in some particular genre, or cross-genres as is more frequent, also obeys to some rules. It has a certain way it should be done, it has tropes, it starts, progresses and end, in a certain way.

Even if we think we are writing something different from what is considered mainstream for the genre, truth is that it can go in one of two ways:

  • Or we are writing something that doesn’t have readers interested in it;
  • Or it fits some genre that already exist we just weren’t as well read as we thought we were, and weren’t able to categorize it properly.

Either way, we seem to be at a lost to whom our books may be of interest.

For example, I love to write romance. I love to write romance in different genres.

About this theme, I truly think that life without love isn’t easy… or worth it. I also don’t think that loving is easy. It is hard work and a discovery process that is painful enough.

But I do believe that, it is the search for love that helps us cope with the ugly demons of this world… us.

So I love to write romance in Contemporary, Fantasy, Urban, Supernatural genres. It is not fluffy, next door vibe kind of romance. It’s painful, gritty, pain induced, self-discovery journey, which Love helps set right.

I believe that a story is as compelling as characters try to chase their inner demons out of their lives or, at least, invite them to tea and lay out the ground rules for coping in the same body and mind.

Throughout the years, I have been writing some tragic short stories, some of them quite supernatural themed. I always seem to gravitate that way when I write short-stories and I frankly don’t know why.

But it’s on the longer fiction that I find solace in delivering some satisfying endings. I put them through hell but in the end they find meaning in their sufferings… The eternal hope for those that, no matter how much they suffer in life, just have to keep hoping to find some meaning in all of it.

While growing up, and learning about stories in books, films and series, I always thought a story benefited greatly from a good, sometimes not achieved but always latent, love interest.

Some of those stories weren’t romances at all. In some of those we were not supposed to follow that thread except as a backstory that accompanied throughout the pursuit of some main quest. Several crime series come to mind.

But, truth be told, it was in those snippets of almost conquering something that shouldn’t be (and weren’t) the main concern of the story that picked my interest. I do remember this clearly in lot’s of series and films, through my teenager ears. That and a great interest in sci-fi, supernatural and drama.

I keep trying to find my way through these genres and personal tendencies while I write my stories. I keep seeing the plots and sub-plots as worlds that are worth exploring. Worlds of pain and grief, and expectations unmet, betrayal and pure unadulterated love… or not so much. Finding demons to subdue through the oh so human need to love and feel loved.

Does this give me an all fluffy, next door vibe kind of romance? Not quite. But it gives me some dark personal universes to work with.

And I enjoy every moment of it. If I could just make it darker, as it should be… 

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Bye and Keep writing! ✍🏼

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Edit the White Room Syndrome in your writing

white room syndrome

Hello all! Welcome back to this blog!

Let’s talk about writing! Let’s talk about the White Room Syndrome.

The White Room Syndrome happens when we are writing a scene and fail to give the details to help the reader imagine what the surroundings of the characters look like.

We start telling the story without giving it a recognisable physical space to live in.

The physical details helps us ground a story. Instead of having the action happening in a nondescript, empty scenery around them, we have the opportunity to bring it to life by sharing a bit of what’s going on outside our characters experience, and how those surroundings may or may not affect them in that scene.

In further analysis, the details we infuse our stories with, may be of specific relevance and representations of themes and points we wish to make with our stories.

We should never neglect the chance to make our narrative more meaningful and choosing some specific details to intertwine in our narrative will achieve this.

Theme and the White Room

It’s not just describing someone’s space, making it speak about the character in itself, or decorating the set so we can feel a more vivid imagery and immersion in the story. It’s using those references to allude to the bigger theme and propelling our story in the way we want it to go.

Not everything has to have a double meaning, or be on theme, but if it’s possible to have double meaning and if it serves a function in the telling of our story, know that she gets better for it.

Describing in the White Room

Description has its objectives and it serves the story, helping to construct a narrative that feels more real. The surroundings can be working with, or against, our characters and thus elevating the story to other levels of artful complexity.

But to capture the scene we have in our head and commit it to paper requires attention to detail. Even if we want our readers to fill in some blanks, and trust me a reader is quite eager to do some of that, we must be careful of leaving too many blanks to fill.

If a reader has difficulty in envision the setting, or if he’s seeing something else entirely from what we thought we had created, then we have incurred in the White Room Syndrome.

But this is only contemplated when we have other people giving feedback or if we can distance ourselves enough from our work to catch these inconsistencies.

Fixing the White Room Syndrome

Answering some simple questions like:

  • What so we want our readers to see in this scene?
  • What are our characters feeling and how can their surroundings reflect that?
  • Which objects or surroundings may enlighten the reader toward the characters inner struggle?
  • Which senses are we using when in that space? (smell, hearing, taste, sight…)

The dangers of Filling the White Room

Be mindful not to over-share information. Those long, boring, uneventful pages of description may be a pain to read and make our readers drop our work as if it burned them. I know I have dropped a few myself.

Over-sharing is a very common mistake and it hurts our story. Nobody wants to sit there and read all about every tiny bric-a-brac in a room… or of a story. Too much detail is as hurtful and no detail at all.

Don’t use random things just because you want to paint a picture so bad that anything would serve this purpose. There are meanings behind most objects, color, ambiences, weather… Don’t use them idly. References will work only if they are respectfully and diligently chosen for some effect.

Avoid the clichés. This is something that is cross-cut in all of it. Avoid a cliché like you would avoid the plague (LOL).

Filling the room with a few well beaten references to some idilic little town, or a creepy old mansion, or using other types of “It was a dark and stormy night” type of descriptions, it’s not very imaginative or advisable… Unless you’re doing an all cliché type of story.

When we need the White Room to do it’s thing

There are certain moments in a narrative that may require a White Room. Like when we want to convey more attention to some character’s internal landscape. To focus on the important is better than to distract our reader with the casual and just there for the word count.

In these moments we might want to shed more light into dialogue, or inner monologue, or sensations, and not so much in what is outside our characters. Describing feelings and thoughts gain the front stage to better tell some part of the story, while their surroundings may fall back.

In conclusion…

The White Room Syndrome is something to tackle on a second draft, when we are on the editing phase of our manuscript. It shouldn’t be considered in the initial stages of creating a writing piece.

Being too worried with this in an earlier stage may damage our writing flow and the ideas we have for the initial draft… which can always be worked on and improved upon, but later in the process.

And it’s one of those things that is here to remind us that art is made of meaningful details added in specific moments, when we are focused on making our writing better and more meaningful.

In our composing efforts we should pay attention to it in order to improve our manuscript. But we shouldn’t let it define us while we are creating a piece.

We have been suffering from the “show don’t tell” and “the cut all the fluff out”, at least I know I have, so it’s normal that we have difficulties in discerning what details to put into our stories. Good editing will solve that.

I’ll leave some outside articles for further reading and reference below.  

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Bye and Keep writing! ✍🏼

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References: 

Reading for the Writer in you

reading for the writer in you

Hello all! Welcome back to this blog so…

Let’s talk about writing!

Today, I want to talk a bit about the importance of Reading to our Writing practices. Not just about what we read or how much, but also the variety we incorporate.

I figure this is not a strange assumption to make, that reading is truly important for our writing practices. After all, Writers are Readers and there’s no other way to go about it.

Reading helps us learn the craft, discover new and important themes, refine our own writer voice, and simply enjoy the fruits of our labor, even if made by someone else.

But what if we can’t read for a while?

Sometimes, we get ourselves into some deep holes, some occurrences to which we call reading slumps, the reader counterpart of writer’s block, forgetting the real pleasure we have while absorbing a good immersive story.

Just like when we forget the real pleasure of writing our own imagined story.

Sometimes, we try to erase the appreciation we have for these activities and instead, we start listening to what we should be doing, or enjoying, instead of what we do love doing and truly enjoy. 

Not just reading serious books is Reading, nor just writing literary fiction is Writing.

But we tend to forget this while pursuing the genres that make us feel more vibrantly alive in our literary practices.

I believe our reading habits are made not just of books, nor certain genres.

We have plenty of material around that adds up to our love for reading. Like magazines, blogs, essays, letters, manga… Our readings are, and should be, made of multiple and different materials, providing us with a wellspring of ideas difficult to match by the sheer diversity of it.

I find that reading different book genres has the same benefits. Having access to other types of literary texts will put us in contact with themes, and ideas, which would not enter our minds if we just sticked with the genre we like to read the most… Or the genre we think we should be reading.

Diversity helps us forge a clear perspective on different subjects and expands our bandwidth so we can embrace growth in our practices.

Keeping this in mind was what got me to contemplate a new reading challenge for this year.

This week I’m organising my readings for 2023, but I’ll not be giving you too many details, because I’ll be talking about it soon enough. I’ve reimagined a reading challenge, more fitted to my current situation, and reading needs, and I am fully devoted to make it work.

This challenge has already brought its fruits:

First, I have a problem! Yep. It’s official. I have made myself take a real, long look at my reading habits, and how I motivate myself to reading, and I found I have a flickering motivation. 

Second, it allowed me to go in search of all the books I own, or at least the majority of them, and have a notion of how I have been making choices just by not choosing. And not choosing is a bad thing, isn’t it?

Third, I’m feeling more energised by the attempts of organising my readings. Which already had made me do things I have been postponing for ages, like creating a sheet for all of my books, and setting a new more objective goal for this year, and not just the amount of readings I’ll be doing.

Keeping my readings organised helps me getting my head clear about what I want to read, and what I need to read, and what would be beneficial if I read.

And I guess that’s why I have not gone about it this way… too much pressure and constraints.

Also, reading for research must have a specific time bound, while reading for mere pleasure has other restraints. And these are important notions to have. Adding to our reading materials must come with a time stamp on it (so you don’t end up like me, as you’ll see soon enough).

And, never forgetting that we should be careful of what we are reading while we are working on some of our writing projects, lest we confuse our writing voice. Creativity fuels herself with all it gathers around her (us). We must be careful so it doesn’t take over while we are writing in our own voice.

I find that keeping our readings more directional towards the kind of writer we want to be is an effort that has a ton of value.

But I also believe that we should expose ourselves to the most diverse lot we can arrange. This feeds our imagination and helps create those worlds we wish to live in or just write about.

Balance is key. And unbalanced is the creative spirit. Or at least is what it seems sometimes… the constant duality of life, isn’t it?

So, the three ideas I wish you would keep in mind:

  • Reading is instrumental to Writing.
  • Choosing what to read is important.
  • Reading diversity is what makes us versatile.

What do you think about this?

Thanks for being here and for being willing to talk about writing!

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Bye and Keep writing! ✍🏼

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