Grounding the Writing Practices

grounding the writing practices

Today we are talking about grounding our writing practices.

Having trouble to face that blank page? To begin something? To just put your tutu on the chair? 

Yeah! I know where you’re at. Been there too many times to be willing to face them all.

A few years ago, my first big discovery to help me cope with this matter was a book (not a big surprise here! I tend to go looking for answers in books). 

It was “The Artist’s Way” by Julian Cameron, and it helped me face some things about my life and my choices, which stayed with me until today.

Other books helped me as well, but let’s not get on to all of those. It’s quite an extensive list.

Throwing in this mix, is a decade and a half of fiction and non-fiction writing, and I realised I have been teaching myself how to properly ground my writing practices.

Meaning of grounding

grounding merriam-webster

Grounding as in training or instruction in the fundamentals of a field of knowledge. But it isn’t fully that.

grounding free dictionary

Grounding as connecting something to its ground. To provide a basis, to justify, to instruct in fundamentals.

Grounding my writing practices in solid foundations to which I can return to every day.

What am I talking about?

When I start a new project, any project, like cooking a recipe, writing a paper, cleaning my house, take on a 9 to 6 job… the first thing I worry about is to learn about the task at hand.

Organising inside my head what it needs to be executed. Which are the rules applied, what tasks needs to be done, how to do it the best way I can. Reaching into past lessons and composing a how-to-do-this the best way I know how.

When I’m feeling less okay about it, or not enjoying the task at hand, I tend to avoid it by diverting my attention to other things… even if they are writing related tasks.

And by doing that, I loose my ground on the task that got me overwhelmed in the first place.

I had to learn how to ground myself on those works, that I wanted to be doing, even if they feel overwhelming.

Warming up to it

Trying to start something without proper warm up can cause injuries. I remember this from gym classes and it applies throughout.

To start writing without a proper warm up is just an injurie waiting to happen.

Inducing a mind space welcoming to the activity, is essential to avoid the black page block.

To ground myself onto my writing practices isn’t easy or learn-to-never-forget type of atitude. No, it’s hard and constant work.

So, in each day, I’ve come up with a few practices that help me ease myself into writing for the different projects I’m working on at the moment.

I first do something which usually gets me thinking and taking notes on something else. I set a scenery, a time, a place, in which I know that as soon as I enter it, I’ll sit and perform.

What I use to warm up

I choose to ground myself into my writing practice by using other means of input and output.

These include journalling, goal cards, collage, vídeos, music, meditation, even reading emails is good warm-up and a thoughts collector.

These practices help me ease myself into a mental state in which Flow can take over.

For example, “today” I started to write on my Mind Tools Journal and ended up with my notebook open, writing some short-story fiction, which occurred to me while trying to find a rhyme and reason on my yesterday’s tasks. From there, I went to this very blog post you are reading, and a short essay on a non-related theme… because I started to listen to some video-talk and it got me these ideias…

Producing isn’t Consuming

Please do not mistake these strategies with consuming stuff online. It is purposefully used to help me sit on this (or any other) chair, and proceed with my writing schedule.

And it’s not every day that I am working on building new stories. Sometimes, I’m editing, or revising, or marketing, or making other types of content.

Also, I have now a broader sense of what is included in my writing time.

Sitting myself to write fiction, also includes writing a story plan, some notes, scene cards, and whatever material I need to come up with a story.

It was not a very long time ago that I didn’t include my preparation work as writing time. I just saw the hours, in which I wasn’t scribbling away, inside the text document, that held the current work in progress. By those standards, I never did enough writing. (Not that I think I do enough. I don’t. I could always be writing more and I am working on that)

Copywriting is still writing. Poetry is still writing. Blog posts… daily journalling, ideas for books and videos, scripts for VLook…

I draw the line on writing shopping lists and excel files. Those I don’t consider writing, even if they are essential to the writer’s life.

How to make it work?

Grounding my writing practices, interconnecting them with my life’s daily tasks, feels like any other new habit we integrate.

For example, when we meditate we go to our mental space of calmness (some times more than others). We focus on the practice, ground ourselves to it, and let the breathing and the directed attention do their thing, to help us let go of all that stuff that’s weighting down on our minds.

Grounding on my writing practices started to feel the same way. Letting go of all the noise which emanates from our daily life’s and just focus on allowing myself to create something, to bring something forth.

It feels like entering a space, being transformed enough by being there, calm enough to play, focused enough to mentally open and let ideas flow.

Does it always work?

As much as any other focused practice.

Introducing a few grounding practices at a time, experimenting with what helps get our minds engaged and producing ideas. Allow these practices to form a true constancy in our daily life. Tying them to our writing practice.

There are a lot of exercises, like gratitude practices, keeping a schedule, or collaging next months goals in front of our desk, which can serve us in several ways.

And there are different practices. There are people which tied their writing practice to going somewhere, for example. Going to a coffee shop to write. To seclude themselves in an hotel room (like some well known writers), or go to a writing retreat… even to writing live on Twitch.

All these are grounding writing practices. They anchor the writing activity to some other event so, each time we are doing it, we have all the cues to start writing and no other solution than to write our time out of there.

It took me a few years to learn how to do this and a few more to understand why and how they worked for me.

And you? Do you have some grounding writing practices? What incentives do you use to perform? Are there any other practices you use to unblock your writing?

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Bye and Keep writing! ✍🏼

Setting up my NaNo Project and Prepping all the must have’s

nano prep

This week’s post is something a bit strange.

I have been in an all consuming mood regarding ‘The Shapeshifters‘, NaNoWriMo, and a few of other ongoing projects…

Like the upcoming 48 hours read-a-ton (you can know it all on VLook) and register to participate here…

While planning to write a draft during next month’s NaNoWriMo, I figured I should have things better planned out. Yes, I mean it like this. I should have planned the plan! Or maybe I’m just nervous with the whole thing.

It’s my first big English writing project; I’m kind of contemplating the thought of making it a trilogy; and wanting to put this story into paper, after so many years in my head. I guess I am a tad nervous about it!

At the same time, there’s a lot of ideas regarding NaNoWriMo, and things I want to do, before the first day of November arrives.

Things I want to do, in order to feel more at ease with working on this project, uninterruptedly for a month… and then some.

Let’s start by listing some thoughts and try to get my grip on what’s going on.

First,

I want to start by confessing that I think I botched my NaNo projects page. It looks like this… [minus the ‘let’s be buddies!’ part]

nanowrimo projects

I had a Portuguese project, from last year. Then, I created the English project for Camp NaNoWriMo this July. And then I created a new project for upcoming November’s NaNoWriMo.

Maybe I should have created a new goal… but wouldn’t it be Camp NaNo, instead of November’s NaNo? I don’t know!

Question: Do you have some thoughts on the matter?

Second…

I have written, and added some scenes, contemplating the major plots, transversal to the three books in the trilogy. [Seeds are evolving here and turning into sprouts.]

Organising these scenes has been my main prep activity for some time. All of my nights for the last three weeks, minus a day, due to a medical appointment.

I wanted it to be easy and perfect, and to be able to fix all the things I had messed up in the Portuguese drafts. Instead it just feels like a big mess.

More of a mess than before because, now I also have my english to contend with.

I am planning for a three act structure more openly now. For this book and the trilogy. [Just got myself into a big, three parted mess, didn’t I?]

While trying to visualize it all I got a bit confused… I am a visual planner, and I need to have some sense to where I am going… even if it’s a three year’s long project. I need to plan!!!

Third…

I am planning to make a billboard out of my 3 act structure. There is no way I can see the story just with my cards. Even if I’m using A5 cards! I need to have a sense to where all of these bits and pieces fit in.

[Thank you, Universe! for I am a crafter, and have plenty of supplies, including a children’s roll of paper from IKEA!]

With a huge billboard in toe, I expect it will be a long, crowded November, in all of my writing corners of this small house. 

Fourth…

I am still hesitant in my working hours for this project.

I have been using during/after dinner time to write my scenes, but I don’t know if it’s the best fit for me. I prefer to write in the mornings. Usually I am more tired in the afternoon and in the beginning of the night, and less aware of idiotic writing (not exclusively) decisions.

But if I choose to block two hours, first thing in the morning, I’ll have to get up at 6… again. This means that by 9:30 pm I’ll be praying for rest and not getting any. I have a child. She doesn’t abide to my sleeping needs.

Scheduling two hours on a middle of the day would be complicated. Conflicting activities will always be a given.

And who says I can write 2000 in two hours? Every day? For a month? I write kind of slowly and usually cut too much of the fluffily prose that would serve a word count, but doesn’t make a decent writing product.

I am still mulling over this one… but it probably will affect my blogging consistency, and I’ll just end up writing during small increments of time, all day long.

Fifth…

I wanted to make a reminder for myself… but, this time, put it in front of me.

camp nano
Shouldn’t the reminder be in front of me?!

I thought maybe a banner. Why? You may ask…

To help me focus, and get in mood for this project, and to remind me of my most immediate goal, and to just feel some support of the objects-displayed variety.

At the same time, I hope it would serve as a reminder for other people, in the apartment, to accommodate my November’s writing needs. But that’s just wishful thinking.

Sixth…

Deciding on my writing spot.

I now have four possibilities… five, if I count the living room couch. I’ll be alternating between them, I guess.

These are: 1. The kitchen table. 2. My desk in my(shared) office. 3. My bedroom desk. 4. My child’s desk, in her bedroom.

Choosing a spot to write will be intimately connected with the day of the week, and at what time I’ll be working on this project. But I have choices and this is kind of a novelty for me. 

I have written entire books on my couch. I have revised books from my bed. I have layered story cards on the spare bedroom floor (before my child’s arrival).

And there were times I didn’t had a proper desk to write on, nor one suitable office chair to sit comfortably. Proofs are pains all over my back and legs. But, even though it wasn’t healthy, I still miss sitting cross legged, writing on my lap.

Now…

Now I have this list, and my thoughts a bit more organised. I have been taking notes, parallel to writing this article, because putting stuff into paper, even if virtual paper, always helps me make sense of my to-do’s.

Have you been planning for NaNoWriMo? Are you planning to write a novel soon? How is your prepping activities going?

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Bye and Keep writing! ✍🏼

Writing Scenes in Preparation for NaNo

writing scenes

This is the month before NaNoWriMo. As some people call it it’s Prep October… and I am starting to feel the pressure. 

I have been working on a manuscript, for a couple of years now, and in this year’s Camp Nano I saw myself setting its first two drafts in a limbo on uncertainty (more than usual) and started to test writing an english version instead.

I can tell you, it has been a wild emotional ride.

But first, some backstory. I’m writing a novel named ‘The Shapeshifters’ since 2021. You can read more about it the article: Drafts, writing plans and mind the gap

I have been imagining, and reimagining, and trying to create a story that has been with me for a long time. Mainly because I choose some difficult themes to work with… but this is personal, and it’s not for full disclosure at this point.

I was so happy when, in the beginning of 2021, I was able to put pen into paper and craft the major parts of this story.

Then I started working on a second draft, adding to the story, and getting my sub-plots aligned. Second draft completed and then…

I started writing the third draft in English.

It just came out that way!

This change gave me a pretty good amount of difficult feelings. I was supposed to continue this project, as planned, just trying to get it written in Portuguese, and polished to the best of my abilities.

But there I was… writing a new first scene, in another language.

It’s not that I want to translate what I have written. No, I want to write it anew, as if the first two drafts were totally exploratory.

And this added to the complexity of the writing process.

Very well, then!

What now?

One of my main goals/tasks for this Autumn was to finish my third-or-first draft of ‘The Shapeshifters’. Third draft because it’s the third time I’m rewriting this story. Or-First because it suddenly got rewritten in English.

It was reiterated in July’s Camp NaNo but I am still struggling with it.

As I wrote before… 

I need to go back to the drawing board and write a new plan for this story. There are some changes, that I want to make, regarding characters and story line. I’ve noticed that I designed a lot of backstory but failed to put it to good use. 

Characters backstory, connections and past traumas are important and need to be carefully embedded in the story. How could I write a story with 79341 words and not put enough density is beyond me.

I’m always careful about not overdoing on what might be considered the boring stuff, an excess of whatever isn’t required. But it seems I trimmed it too much, leaving out even the important story details.

As much as I see the need for all of this, the overthinking about the details, the decision making process, I was feeling a bit overwhelmed with the subject. I needed to get my real bearings and find a way to get back to ‘The Shapeshifters’.

And the Muse has to find me working, so…

Five days ago, in a fit of “I am really fed up with all of these thoughts that lead to nowhere, and mind as well stick with the program!

I took a seat in the most improbable place of my apartment, (not the toilet, it must be the only place where I don’t find myself inspired to write) at the kitchen table. Accompanied by somme draft papers (basically A4 sheets, half used my my daughter’s scribbles, cut in A5 format) and a pen, and started chipping away at the work of putting all the scenes I had in those.

Oh, and it was after dinner, a writing schedule I usually don’t think very well of, since I’m more of an early bird, than a night owl.

It took me 4 blocks of about two hours to finish that work.

Looking ahead

Now, I’m on a crossroads… again. I need to have a visual of the whole project and need to make a better effort.

So on the fifth day I went back to the drawing table and started rereading and adding and adjusting. 

I do not know how this will turn out. I know I’m prepping this project to be properly written during this year’s NaNoWriMo, next month.

But let’s see how all of this goes.

So this is the situation at this point… and you? Are you doing the NaNo challenge? How’s your writing process going?

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Bye and Keep writing! ✍🏼

October’s Plans and Writing Goals

october

I was rereading the blog post of September’s kick-off, reliving a bit of the post-summer-vacations feelings, and figuring out if I had sticked to my plans.

I did eased myself back into writing, but not to all of my writing projects. Now I feel it’s time to prioritise my fiction writing.

But, first let’s look at September.

September’s Writing Efforts

I’ve started September with a dread. I was feeling a bit overwhelmed with ‘The Shapeshifters’ project.

Why? I have two drafts in Portuguese and, suddenly, as I’m starting a third draft, I caught myself writing a new opening scene in English. Was it wise? I don’t think so. But it felt natural, so I went with it.

Sometimes I feel I keep putting stones in my way, just to see if I can destroy or go around them. But there I was, attempting to write my first full fiction book in English.

Quick reminder that I am Portuguese and even though I have been learning English since I was a kid, and have taught English to adults, and write quite a bit in this other language, I wasn’t prepared to make a full change to this project.

But I did. And here we are: a bit overwhelmed with the process…

September also brought me a few difficult days. I suffer from migraines since I was a teenager and they are back with vengeance. To make things worse, now my daughter has them too. She’s still a child, fresh out of pre-school… I am still torn apart with this. Talking about family painful inheritances!

September’s Goals

1. Get back to writing

I did. With happiness even if not effortlessly.

2. Find a new work rhythm

Also something that I manage to do, after a few different approaches.

3. Jumpstart my creative practices

Writing requires calmness and inspiration. I had to search for both using strategies that I try to keep at hand… like meditation, music, reading, series, walks and other activities.

4. Tending to my blogs

I have been putting in the work to get this done. I have changed the quantity of articles I expected to publish each week. And I feel it’s better to manage my expectations with some reality instead of wishful thinking.

5. Managing my YouTube Channel

Yes, I mentioned it in the article but I purposely left this one out of September’s Goals. I wasn’t feeling at ease with it… but VLook has made a big part of my efforts, and I hope you go and take a look at my videos. I know! I have a lot to learn.

6. Other goals

I have mentioned other goals on September’s post. Goals like Reading and productivity measurements. I failed to set a proper goal to Reading efforts but managed to read 9 books, and got 2 ongoing.

My Goodreads Challenge is looking good. Read 53 books of the 60 I planned to read in 2022(88%).

I found out that I mainly read in three categories: Classics, Chic Lit (I hate this designation) and Non Fiction. I like it!

As for the Book Club I kind of have fallen behind and am a bit unmotivated to keep going. Also, the book list released for next year envolves 12 books that aren’t a priority right now and that require a great investment… in books that won’t serve my bigger purposes.

I am kind of contemplating reverting back to my own book list… or find another Book Club more in sync with my wants and needs.

October’s Goals

They will not differ much from September’s, I guess. I will shift my attention a bit from writing poetry and revising short-stories to constructing “The Shapeshifters”. I have a list of scenes to work on and am, reluctantly, taking it seriously.

But, above all, I have a goal to keep working on my writings. Whatever the form or genre.

Keep writing! ✍🏼

Share with us your goals for October. Please comment in the section below.

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Bye and see you soon.

How books get us writing

writing craft books

I always get inspired when I read. I feel this a lot, specially if I’m reading non-fiction books.

Don’t get me wrong, fiction also gets me inspired, but in other ways. Kind of a different type of resources input.

If I read some fictional stories I usually absorb the inspiration of new ideas without giving it much thought. It’s like if the nuggets of wisdom get inside my head without effort or, let’s be upfront with this, get picked up in a less conveniente usable order.

Reading in our genre of choice can be a well of inspiration and, at the same time, a comparison tool that gets us crippled in our thoughts, if not in our actions.

When I pick up a non-fiction book, if it’s really good, usually I get a bit hung up on it, trying to take all of the great ideas, underlining it and even taking pictures of entire pages, so I don’t forget what I read.

I did a pretty good job of underlining almost every word of books like “Turning Pro” from Steven Pressfield.

This feeling of discovery of a meaningful work is the best inducement for my own creativity. I read it and I wish to share it with the whole world!

But then I hit the meca of inspiration…

Books on the Writing Craft 

Reading what others have written about the Craft usually represents a well of inspiring information.

And not just from the nuts and bolts part of it (“The Art of Fiction” by David Lodge comes to mind) but also from those inspiring essays and articles which form a lot of a writer’s daily work.

“Why I Write” by George Orwell is a good and inspiring essay.

It’s feels like we are given access to the minds of these esteemed authors and creatives, and we get to learn from their personal struggles.

Learning about the particulars of their writing craft, how they see writing related themes, the importance of taking notes and more. Through their experiences we get to work things out for ourselves, and use it all to advance in our own practices and ultimately, to know more about how to be a writer seems like.

“Bird by Bird” by Anne Lamott comes to mind here. It is one of the best books on writing ever!

Reading about the Writing Craft (and other related crafts) give me tools to practice on composing my own works, testing how to’s, and giving me insights and choices.

I always feel that, through reading I am given the lay of the land and a compass to help me find my bearings, through other writers thoughts and experiences on the matter.

I recall reading Rainer Maria Rilke’s work, part of his letters and his biography of sorts, through different sources, and got an immediate sense that it was okay to write in formats not attributed immediately to literature, like letter writing. 

His work lifted a boundary for me on what I thought was a formal writing practice.

Writing letters was fine too. And this got me more at ease with some of my writing activities and abating in that sense that if I wasn’t writing a long genre novel, I couldn’t consider myself to be writing at all… even if I had other ongoing projects at hand, like poetry, and short-stories, notebooks of sorts and (even) blog posts.

This notion was a major breakthrough! And reinforced my belief that books can bring us invaluable knowledge.

I do not consider myself a fast learner. Sometimes I take a really long time to perceive the obvious of a situation. But I always believe I capture other informations, less obvious, about a subject, theme or situation. Sometimes, how I feel about something is my firm indicator of an approachable way to get to know something more profoundly.

I also feel I lack the formal education part of the writing craft and I have found my teachers in books. I feel they help me learn about craft in ways that are more palatable to myself and less structured than a three years degree.

Sometimes online courses are an option and are a great pastime. But they kind of feel like a vanity pursue more than a formal experience. Which is fine, but not always to my liking. Specially because the very good one’s tend to be expensive and it’s crucial to manage all of my resources wisely. 

Books are a teacher of sorts. Through them we get access to formal knowledge, find some good contemporary mentors, or non contemporary ones, and they propose to take all our doubts away… specially if we read a lot and in different fields of knowledge. 

Books are great helpers, good friends and excellent teachers. They answer all questions, patiently give their support in our pursue of knowledge, are always available to repetition, and nurture our creativity.

Finding the answers through books is just a more slowly process to entail. But I like slow. To know is to repeat. To create is to live. To read is both.

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Bye and see you soon.

 

Is wanting a Writing career enough?

wanting a writing career

A while back I came across a response from Kate Cavanaugh to Cam Wolfe’s vídeo ‘Is wanting a writing career enough?’

I admit that I got engrossed by trying to answer this… because it is a question that haunts all of my days.

Cam Wolfe stated some good points and made some questions.

I’ll redirect you for the original vídeo here: ‘is WANTING a writing career enough?? Discussion‘ and you can watch it fully on YouTube.

Here are his main points:

  1. Writing is hard: want to write; procrastination; earn a living;
  2. The cost of the dream: contentment? how much is enough? Wanting it is not enough; hustle for it; do all we can?
  3. My endgame: money, full dedicated to writing and videos (my vision); what’s your dream scenario? self-publishing or traditional publishing? or both to be believed? how to make it happen? how to understand what this dream requires? business aspects of the thing…
  4. Plans and updates (like marketing…).
My ideas on this subject… but, prepare yourself! There are more questions than answers here…

How to convince myself to get back to my writing projects?

back to writing

I started September thinking about all the things that I had to include in my To Do’s List (lists)… and I got a tiny bit upset with the activity.

Last week, I mentioned the need to get back with my writing program and how I was getting along with SMART Goals (read all about it here…).

This week, was the moment to deepen the knowledge of my perceivable tasks. So it was time for:

To Do List

I am quite self-conscious about what I put on my To Do List. Mostly because I feel there is a connection between the making of a To Do List and how I manage my feelings, and general willingness, to do those mentioned tasks.

I always feel I refrain from getting too specific on each item because I am afraid I will back out of doing them if I contemplate the general volume of them all. So I simplify and cut them to the most achievable parts.

I have been using these lists for quite some time, and occasionally, I have perceived myself to be quite overwhelmed by them.

When I am in a turning point for starting something, lists usually get too intense. Even if not at the moment I am working on the list itself, but afterwards, when it’s time to walk the talk.

By now, I assure you, I have handled my list issues, and already tackled my Goals Revision, Tasks Update, and have started to include all my ongoing creative projects onto my daily routines. 

But it has been a few hard days because…

procrastination

And this was a wretched beginning indeed! 

Reminding me of the following quote from (a most beloved) “Pride and Prejudice”:

‘This is a wretched beginning indeed! My sole dependence was on you; and I am sure nobody else will believe me, if you do not. – p.312 of “Pride and Prejudice” by Jane Austen, Wordsworth Classics Edition

I kept wondering about…

  • I had a list of ongoing writing (and creative) projects.
  • I knew what each one entailed.
  • What tasks should be added in a day’s work.
  • I believed I had diversity enough on my creative endeavours.
  • That my engagement with each project was healthy enough and that I could assure my output flow.
  • They were sufficient in quantity, and different in quality.
  • And were complementary to one another in most cases…

So… why couldn’t I just get on with it?!?!

Figuring some things out

Mulling over all of this, I crossed paths with the definition of procrastination, on Daily Calm (meditation on the app).

Why was I procrastinating? What is a coping mechanism? Which strong emotions? Why couldn’t I just (re)start?!?!

I kept trying to give some answers to these questions and got to the conclusion that the avoidance mode was ON.

I may know what I have to do but… what if it’s worthless? what if it’s not? what if it’s just tolerable (another ‘P&P’ reference – p.17)enough?

What if I go back to them and perceive they are terrible? And I will spend the rest of my days in a poor, sad, alone, and in the verge of a ‘not fit to be seen‘ state? (okay, I’ll give it a rest with the ‘P&P’ quotes)

Worse yet, what if I (somehow) can perform a (nothing short of a) miracle, and write something that may succeed? How will I deal with THAT?!

Or, the most hard of them all, what if I put all the efforts and then, it will never amount to nothing more than okay. Not too bad, not too good, just existing in a kind of perpetual state of nothing special? (UAU! This hurts!)

How to cope with this?

coping mechanisms

We all have our coping mechanisms. Something we think, or do, in order to deal with a cause of stress.

What occurs to me, as best known examples of coping mechanisms, are unhealthy or addictive behaviours. But that’s just me being narrow-minded.

I am sure there are lot’s of healthy coping mechanisms… like walking, exercising, talking to a friend… what else? Add to healthy coping mechanisms in the comment section below, please.

Avoiding a task as a coping mechanism

Can we cope if we avoid? I don’t think so, and yet… it’s just standard operation mode kicking in.

Adding up to my To Do List is a coping mechanism? If I just keep adding but never get to do something, I believe it is.

Delaying the starting point of a project is a coping mechanism? If I never start, it is.

Avoid committing to a plan, schedule, output is a coping mechanism? Ohhh, yes.

As for strong emotions… aka stressors

By delaying restarting my projects, what am I avoiding here? And doesn’t this avoidance mode gives me more strong emotions?

I decided to include this phrase here about stressors:

stressors

We are all different and must care for ourselves the best way we can. 

So, what strong emotions? What am I avoiding here? Grief? Shame? Impostor Syndrome? Uncertainty? Fear?

Of what? The outcomes? The efforts? The lost opportunities? The ‘I should be doing something else‘ plague?

Avoiding strong emotions with strong emotions? Substituting the uncertainty of it all, with the certainty of quitting my writing projects? Because strong emotions cannot be avoided, they are interchangeable. Today I worry about THIS and tomorrow about THAT.

Identifying the most important tasks and breaking them down

Can I identify my most important tasks? Can I distinguish among them all, which are those that really matter? And why they are the most important?

And, in the lack of external rewards, am I devoted enough to these projects?

Am I really interested in doing these specific projects? And if so, why?

And this reminded me of the following quote…

courage

Going back to the drawing board, aka my journal, I started to remind myself of the basic of setting smart goals.

And, let me remind you and me both that, Journaling always helps when a troubled mind keeps struggling to sort things out. Writing about our conundrums give us a safe space to think about them and disperse false notions.

I took all my Goals and tested them out.

smart goals

Smart Goals imply that they are:

Specific – what I want exactly to achieve?

Measurable – how do I know I have achieve it?

Achievable – am I genuinely able to achieve it?

Realistic – will this goal be worthwhile?

Timely – when will it be achieved?

A more visual approach to these, which I printed out and sticked right in front of my nose.

smart goals

 

I kind of concluded that it doesn’t matter to set big, unattainable goals. What I can do is set my goal for each project and keep my wheels turning towards a much bigger dream.

And it was important to remind myself of this, because:

  • I started lists,
  • decided on ongoing projects,
  • defined completion times,
  • content
  • and my commitment to the bigger picture and… 

finally, got myself some writing time in almost all of my projects.

So I just pulled up a google sheet and started typing away at my goals for each on going project and, this time around (yes, I periodically do this exercise) tried to juggle my schedule to fit all the demands that each project ensue.

From writing a fiction book, to manage my three blogs, to creating YouTube content… I am trying to be specific on this, while still feeling like it’s all a big mess.

But if you want to know more about setting smart goals and achieve them, please let me know in the comment section. I’ll be glad to give a more in-depth perspective on this.

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Bye and see you soon.